England -- Social life and customs -- 19th century -- Fiction; Young women -- Fiction
But she could not get to sleep again. Indeed, she felt almost afraid of
doing so for fear of a repetition of her dream terrors. They grew
fainter after a while, but she became increasingly wakeful. And at last
she got out of bed, and throwing her dressing-gown round her, she went
towards the window, of which the blind was drawn up.
It was the same window where she had sat looking out on the moonlight
late the night before. Why did she go back there? Afterwards she could
not tell. It seemed as if some invisible power had drawn her thither,
and for the moment she had forgotten the slight shiver she had felt at
believing she saw something moving in the shrubbery. But no sooner was
she seated again at her old post than the remembrance returned to her;
she would have liked to move away, but a sort of fascination, partly
curiosity, partly a feeling she could not describe, retained her.
The moonlight was much less brilliant now. There seemed a slight haze,
scarcely amounting to clouds, over the sky. But the night--for dawn was
still some way off--was very calm, and there was no wind at all.
"There is literally _nothing_ moving," thought Hertha. "The stillness
almost frightens me. How quite absurdly fanciful I am becoming!" and,
as if in a kind of anticipation of something, she knew not what, she
held her breath in an intensity of listening. Then came over her the
feeling of being no longer under her own control. She could not have
moved had she wished to do so. But she did not wish it. With this new
sensation her fears had all disappeared.
It came--the something she was watching for. Far off, at the extreme
end of the walk already described, a faint flutter, between light and
shadow--a _movement_--grew perceptible. A presence of some kind was
there. It came on and on, slowly but steadily, and the moon came out
again more clearly, its rays reflected on the vaguely defined figure, of
which the most Hertha could for some moments have said was that it
moved, and that it was white.
She sat as if turned to stone, yet _she_ was no longer afraid. Not even
when, by degrees, she became aware that the form was undoubtedly that of
a woman--a woman, young, graceful, but in dire distress, for as it
advanced, with its slow, cadenced step, till within a few yards of the
terrace just below her, she saw it lift its pallid arms in their shadowy
white drapery, as if in piteous appeal, then wringing its hands, for one
fleeting moment its face was raised to her as if her presence were known
and realised, and she saw that it was that of a beautiful woman,
weeping, weeping sorely, as if her very heart would break, for woe she
was powerless to avert.
And a whisper ran through Hertha's overwrought brain: "It is she--the
White Weeper--she is appealing to _me_."
But there was no sound, only the intense gaze of the exquisite though
death-like and mournful face--and while she felt those eyes upon her,
Hertha could have felt nothing beside.
Public-domain text, read in full here on John Shaqi.
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