Whom God Hath Joined: A Question of Marriage — John Shaqi
Whom God Hath Joined: A Question of MarriageHume, Fergus
Philosophy
Whom God Hath Joined: A Question of Marriage
Hume, Fergus
English fiction -- 19th century; Husband and wife -- Fiction; Mothers -- Fiction
"Well, the painter had depicted the Mother standing alone, with sombre
clouds beneath her white feet, her hands, long and pale, folded across
her breast, and her face with a yearning expression lifted to a ray of
light from the mystic dove of the Holy Ghost, which pierced the
darkness of the sky. There was no infant Jesus in her arms, such as we
generally see in altar-pieces, and I fancy the idea of the artist was
to depict Mary as a pure solitary woman, before the announcement of
the Conception. In her eyes, sad and deep, dwelt an expression of
intense yearning, and on her beautiful face the look of a woman
longing for the pleasures of maternity.
"I never forgot the hopeless craving of that gaze, the hungry longing
for the fondling arms and inarticulate cries of a child. Only once
have I seen such a look on a human countenance, and that was on Lady
Errington's before her marriage; she had the same hungry look in her
eyes which can only be appeased by the birth of a child, and which
will give her that special love and affection needed to complete her
life. Therefore I call her an incomplete Madonna, for when she becomes
a mother that yearning gaze will pass away for ever, and be succeeded
by the serene beatitude that painters give the face of the Virgin when
she clasps the child Jesus to her breast, encircled by the adoring
hosts of heaven."
"That is a very poetical interpretation of a picture," said Otterburn
when Eustace had ended. "I doubt however if I should draw the same
conclusions were I to see the picture."
"You will not see the picture I refer to but you will meet Lady
Errington, then you can give me your opinion."
"I'm afraid it will not coincide with yours. But if all her love is
thus centred on the coming of a child, when it is born she will love
it passionately to the exclusion of her husband."
"Perhaps!" replied Eustace calmly. "However we shall see. It is a
curious study of a woman's character, and I am anxious to see if my
idea is a correct one. Of this, however, I am certain, that the day a
child is born to Alizon Errington will be a sad day for her husband if
he worships her over much, for he will have to be satisfied with the
crumbs of love that fall from the child's table."
"Ah! that is one of those things yet to be proved," said Otterburn
rising, as the train, approaching Chiasso, slowed gradually down. "But
here we are at the end of our journey."
"For which the Lord be thanked," replied Eustace, and jumped out on to
the platform.
CHAPTER III.
THE WANING OF THE HONEYMOON.
"Ah, love how quickly fades the rose,
When after sunshine come the snows,
So joys may change to cruel woes
Thro' Cupid's treason.
But roses will their bloom renew,
And snows fall not from heavens blue,
So hearts like ours will still be true,
Through every season."
Public-domain text, read in full here on John Shaqi.
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