Whom God Hath Joined: A Question of MarriageHume, Fergus
Philosophy
Whom God Hath Joined: A Question of Marriage
Hume, Fergus
English fiction -- 19th century; Husband and wife -- Fiction; Mothers -- Fiction
It certainly would be difficult to find a more charming residence than
the Villa Tagni. Standing on the extreme verge of a low rocky
promontory, which ran out some distance into the tideless waters of
Lake Como, it appeared like some fairy palace as it nestled amid the
cool green of its surrounding trees and reflected its delicately
ornate façade in the still mirror of the water.
Like most Italian houses it had a somewhat theatrical appearance, with
its bright pink-coloured walls and vividly green shutters, set in
broad frames of snow-white stone. Then again, these walls being
decorated with arabesque designs in various brilliant tints, the
general effect at a distance was that of cunningly wrought mosaic,
while above this bizarre combination of colours sloped the roof of
dull-hued red tiles; the picturesque whole standing out in glowing
relief from the emerald background of heavily-foliaged trees of ilex,
tamarisk, chestnut and cypress. High above towered a great mountain,
with its grey scarred peak showing suddenly through its green forests
against the clear blue of an Italian sky. More than half-way down, the
highway ran along the slope like a sinuous white serpent, and below
nestled the villa by the water's edge. Bright, fanciful, jewel-like,
it was the very realization of a poet's dream, the magic outcome of
some Oriental phantasy, such as we read of in those strange Arabian
tales where the genii rear visionary palaces under the powerful spells
of Solomon ben Daoud.
A broad stone terrace ran along the front of the villa, on to which
admission was given from the house by wide French windows, generally
masked by their venetian shutters, which excluded the glare of the sun
from the inner apartments. A double flight of steps descended from
this terrace sheer into the cool water upon which floated the graceful
pleasure boat belonging to the villa, and on either side grew dense
masses of sycamore, fir, oak and laurel sloping down to the verge of
the lake, their uniform tints broken at intervals by the pale grey
foliage of olive trees. Radiant in the sunlight glowed the rosy
blossoms of the oleander, sudden amid the shadow flashed the golden
trails of drooping laburnams--here, like the fabled fruit of
Hesperides, hung golden oranges, there the pallid yellow ovals of
scented lemons, and deep in the faint twilight of glossy leaves
glimmered the warm white blossoms of the magnolia tree, ivory censers
from whence breathed those voluptuous perfumes which confuse the brain
like the fumes of opium smoke.
And then the flowers! Surely this was the paradise of flowers, which
here grew in a prodigal profusion unknown in the carefully-cultured
gardens of chill northern lands where the fruitful footsteps of Flora
pause but a moment. In this favoured clime, however, the goddess ever
remains, and adorns her resting place with lavish bounty of her
fast-fading treasures.
Public-domain text, read in full here on John Shaqi.
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