Short stories, American; United States -- Social life and customs -- 19th century -- Fiction
Two days later they sat, all three, in her library, while West read
them his poems. The two looked at each other in amazement. Where had
this untrained factory boy got it all? What wonderful voices had sung
to him above the whirring of the wheels; what delicate visions had
risen through the smoky pall of his sordid days? He wrote only of
Nature: the brown brook water in spring; the pale, hurrying leaves of
November; a bird glimpsed through pink apple-blossoms; the full river
encircling a bending elm. In the vivid swiftness of effect, the simple
subtlety of treatment, there was a recalling of the Japanese witchery
of suggestion; the faint tinge of sadness in every poem left in the
mind precisely the sweet regret that the beauty of the world must
always leave. At the "Clearing Shower," perhaps the most compelling of
all his work, quick drops started to the girl's eyes, so intense was
the vision of the moist, green-breathing earth, the torn fleece of the
clouds, the broken chirping of frightened birds, the softened, yellow
light that reassures and saddens at once. His art was not Wordsworth's
nor Shelley's; it was as if Keats had turned from human passion and
consecrated the beauty of his verse to the beauty of Nature--but
simply, sadly, and through a veil of Heine's tears.
Delafield nodded mutely to his niece, then walked over to the boy.
"There will be plenty of people to tell you later," he said, holding
out his hand, "but let me be the first. You are a genius, Mr. West, and
your country will be proud of your work some day. There is no American
to-day writing such poetry."
West took his hand awkwardly, not rising from his chair. He fingered
his manuscript nervously.
"I--I wouldn't want to be laughed at," he demurred. "Other folks
mightn't be so kind as you. If anybody laughed--I--it would just about
kill me!" he concluded, passionately. They smiled sympathetically at
each other.
"But no one would laugh, I assure you, Mr. West," Anne murmured,
stooping to pick up a scattered sheet.
He hardly noticed her. His eyes were fixed constantly on Delafield: the
girl had made no impression upon him whatever. Nor did the elegance of
the furnishings, the evidences of great wealth everywhere arouse in him
the least apparent curiosity. Having no knowledge of the many grades
of material prosperity between his own meagre surroundings and Anne
Delafield's luxury, he accepted the one as he had endured the other,
his mind quite removed from either, his eyes looking beyond.
Anne had supposed that her uncle would carry the poems to one of the
leading magazines, but he pooh-poohed the idea.
"I think not. We're not going to have the boy mixed up with the hacks
that turn out two or three inches of rhymes to fill up a page in a
magazine," he declared. "We'll have D---- drop in some night and
West shall read 'em to him. Then we'll bring out a book. Here and in
England--they'll like him there, or I'm much mistaken."
Public-domain text, read in full here on John Shaqi.
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