Why Frau Frohmann Raised Her Prices, and Other StoriesTrollope, Anthony
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Why Frau Frohmann Raised Her Prices, and Other Stories
Trollope, Anthony
English fiction -- 19th century; Manners and customs -- Fiction; Short stories, English
At this time Lucy Graham was twenty-six years old. She had hitherto
regarded herself as being stronger and more steadfast than are women
generally of that age. She had taught herself to despise feminine
weaknesses, and had learned to be almost her brother’s equal in managing
the affairs of his shop in his absence. She had declared to herself,
looking forward then to some future necessity which had become present
to her with terrible quickness, that she would not be feckless,
helpless, and insufficient for herself as are so many females. She had
girded herself up for a work-a-day life,--looking forward to a time when
she might leave the telegraphs and become a partner with her brother. A
sudden disruption had broken up all that.
She was twenty-six, well made, cheery, healthy, and to some eyes
singularly good-looking, though no one probably would have called her
either pretty or handsome. In the first place her complexion was--brown.
It was impossible to deny that her whole face was brown, as also was her
hair, and generally her dress. There was a pervading brownness about her
which left upon those who met her a lasting connection between Lucy
Graham and that serviceable, long-enduring colour. But there was nobody
so convinced that she was brown from head to foot as was she herself. A
good lasting colour she would call it,--one that did not require to be
washed every half-hour in order that it might be decent, but could bear
real washing when it was wanted; for it was a point of her inner creed,
of her very faith of faith, that she was not to depend upon feminine
good looks, or any of the adventitious charms of dress for her advance
in the world. “A good strong binding,” she would say of certain
dark-visaged books, “that will stand the gas, and not look disfigured
even though a blot of ink should come in its way.” And so it was that
she regarded her own personal binding.
But for all that she was to some observers very attractive. There was
not a mean feature in her face. Her forehead was spacious and well
formed. Her eyes, which were brown also, were very bright, and could
sparkle with anger or solicitude, or perhaps with love. Her nose was
well formed, and delicately shaped enough. Her mouth was large, but full
of expression, and seemed to declare without speech that she could be
eloquent. The form of her face was oval, and complete, not as though it
had been moulded by an inartistic thumb, a bit added on here and a bit
there. She was somewhat above the average height of women, and stood
upon her legs,--or walked upon them,--as though she understood that they
had been given to her for real use.
Public-domain text, read in full here on John Shaqi.
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