Joan was fond of Mr. Nikolai, and grateful to him. She even read his
books, though she preferred his letters, which had a good deal in them
about herself. His presence at her graduation, his chocolates, the
little sea of papers with which he sought to beguile the tedium of her
journey, had all helped to comfort her for the absence of her father. He
was, she thought warmly, almost as good as a father anyway; and far more
generous! Everything nice she had was a gift from Stefan Nikolai. Her
lovely Chinese shawl, her carved jade ring (Joan wished secretly that
there had been a diamond in it somewhere), the odd piece of clear blue
aquamarine he had brought her for a graduation present, that just
matched her eyes; books too, in beautiful covers, and some old prints
that were anything but beautiful, and a white bear-skin for her room.
She would have liked to suggest to him that, in place of such costly
trifles, occasional dresses might be acceptable, of the sort that come
from Paris; also frilly things, hand-embroidered, which he would not
have to choose himself, of course--there being women clerks for the
purpose. She was a little surprised that he had not thought of it
himself, aware as he must be of the scarcity of such desirables in the
Darcy family.
Still, one must not look a gift-horse in the mouth; and had he not been
such a lifelong friend as to be almost a relation, Joan would have
chafed a little, as it was, under her sense of obligation to Mr.
Nikolai. Her mother's daughter did not take kindly to a sense of
obligation.
It was not he, however (ah, by no means he!) who had provided the
flowers which drooped at her belt. For one moment the absence of the
donor of these flowers had threatened to spoil the pleasure of her
parting; and then had arrived, breathless, a messenger and a note. Joan
was able philosophically to reflect that if the gentleman had come in
person she would never have had the note. And there is something
delightfully tangible and lasting about a love-letter--if, indeed, it
was a love-letter?
That was one of Eduard Desmond's great gifts: elusiveness.
She put her hand to her blouse and felt the responsive crackle therein;
and the words of the note danced before her eyes in the form of little
cupids, bearing garlands:
My flowers must tell you what I dare not, dearest little girl
of my heart. You will understand why I cannot say good-by.
Truly, "To part is to die a little." Forgive me! EDUARD.
Joan had done her thrilled best to understand, since it was expected of
her, but she felt rather puzzled. Was it that he feared his emotions at
parting might get beyond his control? Joan sighed. She could have borne
that. Or was it--here she frowned importantly--that his habits were
already resuming control of him, now that her hand was, so to speak, off
the rudder?
Public-domain text, read in full here on John Shaqi.
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