"There's almost nothing to tell; it was so unrelated, so senseless and
blind. It can't be dressed into a story, it has no moral--no meaning.
Well--it was twelve years ago. I had just been married, and we had
gone to a property in the country. After two days I had to go into
town, and when I came back Ellen met me in a breaking cart. It was a
flag station, buried in maples, with a white road winding back to
where we were staying.
"Ellen had trouble in holding the horse when the train left, and the
beast shied going from the station. It was Monday, clothes hung from a
line in a side yard and a skirt fluttered in a little breeze. The
horse reared, the strapped back of the seat broke, and Ellen was
thrown--on her head. It killed her."
He fell silent. Millie breathed sharply, and a ripple struck with a
faint slap on the yacht's side. Then: "One can't allow that," he
continued in a lower voice, as if arguing with himself; "arbitrary,
wanton; impossible to accept such conditions----
"She was young," he once more took up the narrative; "a girl in a
tennis skirt with a gay scarf about her waist--quite dead in a second.
The clothes still fluttered on the line. You see," he ended, "nothing
instructive, tragic--only a crude dissonance."
"Then you left everything?"
He failed to answer, and she gazed with a new understanding and
interest over the _Gar_. Her attention was attracted to the beach,
and, following her gaze, John Woolfolk saw the bulky figure of
Nicholas gazing at them from under his palm. A palpable change, a
swift shadow, enveloped Millie Stope.
"I must go back," she said uneasily; "there will be dinner, and my
father has been alone all morning."
But Woolfolk was certain that, however convincing the reasons she put
forward, it was none of these that was taking her so hurriedly ashore.
The dread that for the past few hours had almost vanished from her
tones, her gaze, had returned multiplied. It was, he realized, the
objective fear; her entire being was shrinking as if in anticipation
of an imminent calamity, a physical blow.
Woolfolk himself put her on the beach; and, with the tender canted on
the sand, steadied her spring. As her hand rested on his arm it
gripped him with a sharp force; a response pulsed through his body;
and an involuntary color rose in her pale, fine cheeks.
Nicholas, stolidly set with his shoes half buried in the sand,
surveyed them without a shade of feeling on his thick countenance. But
Woolfolk saw that the other's fingers were crawling toward his pocket.
He realized that the man's dully smiling mask concealed sultry,
ungoverned emotions, blind springs of hate.
VII
Public-domain text, read in full here on John Shaqi.
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