Wilhelm Meister's apprenticeship and travels, vol. 1 (of 2)Goethe, Johann Wolfgang von
General
Wilhelm Meister's apprenticeship and travels, vol. 1 (of 2)
Goethe, Johann Wolfgang von
Bildungsromans; German fiction -- Translations into English; Self-realization -- Fiction
"In their games, children can make all things out of any: a staff
becomes a musket, a splinter of wood a sword, any bunch of cloth a
puppet, any crevice a chamber. Upon this principle was our private
theatre got up. Totally unacquainted with the measure of our strength,
we undertook all: we stuck at no _quid pro quo_, and felt convinced that
every one would take us for what we gave ourselves out to be. Now,
however, our affairs went on so soberly and smoothly, that I have not
even a curious insipidity to tell you of. We first acted all the few
plays in which only males are requisite, next we travestied some of
ourselves, and at last took our sisters into the concern along with us.
In one or two houses, our amusement was looked upon as profitable; and
company was invited to see it. Nor did our lieutenant of artillery now
turn his back upon us. He showed us how we ought to make our exits and
our entrances; how we should declaim, and with what attitudes and
gestures. Yet generally he earned small thanks for his toil, we
conceiving ourselves to be much deeper in the secrets of theatrical art
than he himself was.
"We very soon began to grow tired of tragedy; for all of us believed, as
we had often heard, that it was easier to write or represent a tragedy
than to attain proficiency in comedy. In our first attempts,
accordingly, we had felt as if exactly in our element: dignity of rank,
elevation of character, we studied to approach by stiffness and
affectation, and imagined that we succeeded rarely; but our happiness
was not complete, except we might rave outright, might stamp with our
feet, and, full of fury and despair, cast ourselves upon the ground.
"Boys and girls had not long carried on these amusements in concert,
till Nature began to take her course; and our society branched itself
off into sundry little love-associations, as generally more than one
sort of comedy is acted in the playhouse. Behind the scenes, each happy
pair pressed hands in the most tender style; they floated in
blessedness, appearing to one another quite ideal persons, when so
transformed and decorated; whilst, on the other hand, unlucky rivals
consumed themselves with envy, and out of malice and spite worked every
species of mischief.
"Our amusements, though undertaken without judgment, and carried on
without instruction, were not without their use to us. We trained our
memories and persons, and acquired more dexterity in speech and gesture
than is usually met with at so early an age. But, for me in particular,
this time was in truth an epoch: my mind turned all its faculties
exclusively to the theatre; and my highest happiness was in reading, in
writing, or in acting, plays.
Public-domain text, read in full here on John Shaqi.
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