Wilhelm Meister's apprenticeship and travels, vol. 1 (of 2)Goethe, Johann Wolfgang von
General
Wilhelm Meister's apprenticeship and travels, vol. 1 (of 2)
Goethe, Johann Wolfgang von
Bildungsromans; German fiction -- Translations into English; Self-realization -- Fiction
"Meanwhile the labors of my regular teachers continued: I had been set
apart for the mercantile life, and placed under the guidance of our
neighbor in the counting-house; yet my spirit at this very time recoiled
more forcibly than ever from all that was to bind me to a low
profession. It was to the stage that I aimed at consecrating all my
powers,--on the stage that I meant to seek all my happiness and
satisfaction.
"I recollect a poem, which must be among my papers, where the Muse of
tragic art and another female form, by which I personified Commerce,
were made to strive very bravely for my most important self. The idea is
common, nor do I recollect that the verses were of any worth; but you
shall see it, for the sake of the fear, the abhorrence, the love and
passion, which are prominent in it. How repulsively did I paint the old
housewife, with the distaff in her girdle, the bunch of keys by her
side, the spectacles on her nose, ever toiling, ever restless,
quarrelsome, and penurious, pitiful and dissatisfied! How feelingly did
I describe the condition of that poor man who has to cringe beneath her
rod, and earn his slavish day's wages by the sweat of his brow!
"And how differently advanced the other! What an apparition for the
overclouded mind! Formed as a queen, in her thoughts and looks she
announced herself the child of freedom. The feeling of her own worth
gave her dignity without pride: her apparel became her, it veiled her
form without constraining it; and the rich folds repeated, like a
thousand-voiced echo, the graceful movements of the goddess. What a
contrast! How easy for me to decide! Nor had I forgotten the more
peculiar characteristics of my Muse. Crowns and daggers, chains and
masks, as my predecessors had delivered them, were here produced once
more. The contention was keen: the speeches of both were palpably
enough contrasted, for at fourteen years of age one usually paints the
black lines and the white pretty near each other. The old lady spoke as
beseemed a person that would pick up a pin from her path; the other,
like one that could give away kingdoms. The warning threats of the
housewife were disregarded; I turned my back upon her promised riches:
disinherited and naked, I gave myself up to the Muse; she threw her
golden veil over me, and called me hers.
"Could I have thought, my dearest," he exclaimed, pressing Mariana close
to him, "that another, a more lovely goddess would come to encourage me
in my purpose, to travel with me on my journey, the poem might have had
a finer turn, a far more interesting end. Yet it is no poetry, it is
truth and life that I feel in thy arms: let us prize the sweet
happiness, and consciously enjoy it."
Public-domain text, read in full here on John Shaqi.
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