Will Bradley, His Chap Book: An account, in the words of the dean of American typographers, of his graphic arts adventures ... — John Shaqi
Will Bradley, His Chap Book: An account, in the words of the dean of American typographers, of his graphic arts adventures ...Bradley, Will
History
Will Bradley, His Chap Book: An account, in the words of the dean of American typographers, of his graphic arts adventures ...
Bradley, Will
Bradley, Will, 1868-1962; Printers -- United States -- Biography; Printing -- United States -- History
1918-20 Writing and directing motion pictures
independently. Production of
_Moongold_, a Pierrot pantomime shot
against black velvet, using properties
but no sets, shown at the Criterion
Theater in Times Square, New York.
1920 Back to Mr. Hearst as art and typography
supervisor for Hearst magazines,
newspapers, motion pictures, and the
introduction, in _Cosmopolitan_, of many
typographic innovations.
1923 Writes _Spoils_, a play in free verse for
_Hearst’s International_.
1926 Restyles _Delineator_ and Sunday magazine
section of New York _Herald Tribune_
(not _This Week_).
1927 Harper & Bros. publish _Launcelot and
the Ladies_.
1930 Final, but far from inactive, retirement.
1931 Serves on AIGA “Fifty Books of the
Year” jury; delivers address at exhibition
opening, New York Public Library.
1950 Rounce and Coffin Club of Los Angeles
award, October 28, for “Distinguished
Contributions to Fine Printing,” at preview
of Huntington Library exhibition,
“Will Bradley: His Work.”
1953 New type ornaments (used at chapter-openings
in the present book) designed
for American Type Founders.
1954 Completion of a new paper specimen in
Strathmore’s Distinguished Designers
Series, almost sixty years after his first
sample book for Strathmore. Introduced
at University Club luncheon in
New York, March 25.
1954 Award of gold medal by the American
Institute of Graphic Arts at Annual
meeting, May 19.
“I have never known any guide other than what to me happened to look
right.”--w. b.
AN AFTERWORD
Few names in the annals of American typography gleam as brightly as
Will Bradley’s. Even fewer have made so varied a graphic contribution
as this gentle man, now eighty-six and revered as dean of American
typographers.
In May, 1954, he was awarded the coveted gold medal of the American
Institute of Graphic Arts. The citation, necessarily brief around the
rim, recalled one phase of his accomplishments: “To Will Bradley for a
half-century of typographic achievement.”
A more revealing summary would be found in the commendation of the
Rounce and Coffin Club award, presented at the Huntington Library
in October, 1950. The Club held its special meeting to honor Mr.
Bradley (then living in nearby Pasadena), and preview the Huntington
retrospective Bradley exhibition, which included examples of his book
design and illustration; articles and stories written; cover and
poster design; type and type ornament for American Type Founders; and
printing. Some seventy items were displayed, ranging from the Ishpeming
(Michigan) _Iron Ore_ masthead, designed in 1886, to a Christmas
greeting drawn in 1948.
Public-domain text, read in full here on John Shaqi.
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