"What’s that?" Griselda queried, still under her breath. "That" was a flash of blue fire ahead of them darting slantwise over the stream. Later they learned to understand that a flash of blue fire meant kingfisher; but for the moment William shook his head, nonplussed, and hazarded only, "It’s a bird." For half-an-hour or so it was only the birds and themselves; then at a turn in the narrowing valley they came in sight of cows nuzzling the pastures. Several cows, parti-coloured black and white like the cows of a Noah’s Ark; and, further on, a tiny farm house standing close up to the trees in its patch of vegetable garden. They knew from Madame Amberg of the existence of the tiny farmhouse; it was an old woman living there who would "do" for them during their stay at the neighbouring cottage—cook and clean and make tidy in return for a moderate wage. The barking of a kennelled nondescript brought the old woman shuffling to the door—to welcome them (presumably) in her native tongue and to take their measure from head to heel with a pair of shrewd, sunken eyes. Of her verbal greetings they understood nothing but the mention of Madame Amberg; but, having looked them up and down enough, the old lady shuffled back into her kitchen for the key of the revolutionist’s property. She reappeared with the key in one hand and a copper stewpan in the other—wherewith she waved the signal to advance, and shuffled off in guidance, ahead of her grandson and the visitors. A quarter of an hour’s more walking on a dwindling path brought them in sight of their sylvan honeymoon abode; it had originally been built for the use of a woodman, and was a four-roomed cottage on the edge of the wood overlooking the stream and the pasture of the black-and-white cows. Madame Peys (they knew at least her name) unlocked the door and ushered them into the kitchen, where the boy deposited their bags. *CHAPTER IV* The cottage was what any one who know Madame Amberg might have expected her cottage to be. It was sparsely furnished, except with explosive literature; there were very few chairs, and those few verging on decrepitude, but numerous tracts and pamphlets in divers civilized languages. Kitchen utensils were conspicuous chiefly by their absence, and presumably the owner relied consistently on the loan of the copper stewpan which had accompanied her guests from the farm. On the other hand, the kitchen walls were adorned by photographs, more or less fly-blown, of various political extremists, and a signed presentment of Rosa Luxemburg adorned a bedroom mantelpiece.