Shakespeare, William, 1564-1616 -- Criticism and interpretation
It was said of Napoleon that he was as great as a man can be without
virtue. The intellect of Richard III is like that of Napoleon. It is
restless, swift, and sure of its power. It is sure, too, that the world
stays as it is from something stupid in the milky human feelings.
Richard is a "bloody dog" let loose in a sheep-fold. It is a part of the
tragedy that he is nobler than the sheep that he destroys. His is the
one great intellect in the play. Intellect is always rare. In kings it
is very rare. When a great intellect is made bitter by being cased in
deformity one has the tragedy of intellect turned upon itself. Had
Richard been born without his deformed shoulder he could have known
human sympathy, and human intercourse. Without human intercourse he goes
gloating, clutching himself, biting his lip, muttering at the twist in
his shadow. This warped, starved mind knows himself stronger than the
minds near him. It is tragical to be deformed, it is tragical to have an
intellect too great for people to understand. But the deformed and
bitter intellect would suffer tragedy indeed if he, the one constant
Yorkist, were to be ruled by a gentle, half-witted Lancastrian saint
like Henry VI, or by Clarence the perjurer, or by the upstart Woodville,
a commoner made noble because his sister took the King's fancy, or by
the Queen herself, the housewife who caused great Warwick's death, or by
one of her sons, who are pert to the man who had spilt his blood to make
their father king. The snarling intellect bites rather than suffer that.
It is very terrible, but how if he had not bitten? The vision of all
this bloodiness is less terrible than that vision of the sheep
triumphing, so dear to us moderns--
"Strength by limping sway disabled,
And art made tongue-tied by authority,
And folly (doctor-like) controlling skill."
As in all Shakespeare's greater plays, a justice brings evil upon the
vow breaker. Curses called down in the solemn moment come home to roost
when the solemnity is forgotten or thrust aside. Clarence, who broke his
oath to the House of Lancaster, is done to death by his brother. Anne,
cursing the killer of her husband, curses the woman who shall marry him,
is, herself, that woman, and dies wretchedly. Grey, Rivers, Dorset,
Buckingham and Hastings make oaths of amity, call down curses on him
that breaks them, themselves break them, and die wretchedly. Richard,
too wise to make oaths, too strong to curse, dies, as his mother
foretells, "by God's just ordinance," when the measure of the blood of
his victims becomes too great, and when his victims' curses, after
wandering from heart to heart, get them into human bodies and walk the
world, executing justice.
Public-domain text, read in full here on John Shaqi.
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