Dramatists, English -- Early modern, 1500-1700 -- Biography; Shakespeare, William, 1564-1616; Stratford-upon-Avon (England) -- Biography
Thus is the greater part of history made up to the present day; it
goes from Bossuet to Karamsin, passing by the Abbé Pluche. That
history has for its principle obedience. To what is obedience due? To
success. Heroes are well treated, but kings are preferred. To reign is
to succeed every morning. A king has to-morrow: he is solvent. A hero
may be unsuccessful,--such things happen,--in which case he is but a
usurper. Before this history, genius itself, even should it be the
highest expression of force served by intelligence, is compelled to
continual success. If it fails, ridicule; if it falls, insult. After
Marengo, you are Europe's hero, the man of Providence, anointed by the
Lord; after Austerlitz, Napoleon the Great; after Waterloo, the ogre
from Corsica. The Pope anointed an ogre.
Nevertheless, impartial Loriquet, in consideration of services
rendered, makes you a marquis. The man of our day who has best executed
that surprising gamut from Hero of Europe to Ogre of Corsica, is
Fontanes, chosen during so many years to cultivate, develop, and direct
the moral sense of youth.
Legitimacy, right divine, negation of universal suffrage, the throne a
fief, the nation an entailed estate, all proceed from that history. The
executioner is also part of it; Joseph de Maistre adds him, divinely,
to the king. In England such history is called "loyal" history. The
English aristocracy, to whom similar excellent ideas sometimes occur,
have imagined a method of giving to a political opinion the name of
a virtue,--_Instrumentum regni._ In England, to be a royalist, is to
be loyal. A democrat is disloyal; he is a variety of the dishonest
man. This man believes in the people,--shame! He would have universal
suffrage,--he is a chartist! are you sure of his probity? Here is a
republican passing,--take care of your pockets! That is clever. All the
world is more witty than Voltaire: the English aristocracy has more wit
than Macchiavelli.
The king pays, the people do not pay,--this is about all the secret of
that kind of history. It has also its own tariff of indulgences. Honour
and profit are divided,--honour to the master, profit to the historian.
Procopius is prefect, and, what is more. Illustrious by special decree
(which does not prevent him from being a traitor); Bossuet is bishop,
Fleury is prelate prior of Argenteuil, Karamsin is senator, Cantemir is
prince. But the finest thing is to be paid successively by For and by
Against, and, like Fontanes, to be made senator through idolatry of,
and peer of France through spitting upon, the same idol.
What is going on at the Louvre? What is going on at the Vatican, in
the Seraglio, Buen Retiro, at Windsor, at Schoenbrünn, at Potsdam, at
the Kremlin, at Oranienbaum? Further questions are needless; for there
is nothing interesting for the human race beyond those ten or twelve
houses, of which history is the door-keeper.
Public-domain text, read in full here on John Shaqi.
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