Dramatists, English -- Early modern, 1500-1700 -- Biography; Shakespeare, William, 1564-1616; Stratford-upon-Avon (England) -- Biography
they discover him, they drag him from his hole, and they throw him
terrified on the throne. Emperor, he still trembles, having the crown
but not sure that he has his head. He feels for his head at times, as
if he searched for it. Then he gets more confident, and decrees three
new letters to be added to the alphabet. He is a learned man, this
idiot. They strangle a senator. He says, "I did not order it but since
it is done, it is well." His wife prostitutes herself before him. He
looks at her, and says, "Who is this woman?" He scarcely exists: he
is a shadow; but this shadow crushes the world. At length the hour
for his departure arrives: his wife poisons him, his doctor finishes
him. He says, "I am saved," and dies. After his death they come to
see his corpse. While alive they had seen his ghost. Nero is the most
formidable figure of _ennui_ that has ever appeared among men. The
yawning monster that the ancients called Livor and the moderns call
Spleen, gives us this enigma to divine,--Nero. Nero seeks simply a
distraction. Poet, comedian, singer, coachman, exhausting ferocity to
find voluptuousness, trying a change of sex, the husband of the eunuch
Sporus, and bride of the slave Pythagoras, and promenading the streets
of Rome between his husband and wife. Having two pleasures--one to
see the people clutching pieces of gold, diamonds and pearls, and the
other to see the lions clutch the people; an incendiary for curiosity's
sake, and a parricide for want of employment. It is to these four that
Tacitus dedicates his four first pillories. He hangs their reign to
their necks: he fastens that _carcan_ to theirs. His book of Caligula
is lost. Nothing easier to comprehend than the loss and obliteration
of these kinds of books. To read them was a crime. A man having been
caught reading the history of Caligula by Suetonius, Com modus had him
thrown to the wild beasts. "Feris objici jussit," says Lampridius. The
horror of those days is wonderful. Manners, below and above stairs,
are ferocious. You may judge of the cruelty of the Romans by the
atrocity of the Gauls. A row breaks out in Gaul: the peasants place
the Roman ladies, naked and still alive, on harrows whose points enter
here and there into the body; then they cut their breasts from them
and sew them in their mouths, as though they had the appearance of
eating them. "These are scarcely reprisals" (_Vix vindicta est_), says
the Roman general, Turpilianus. These Roman ladies had the practice,
while chattering with their lovers, of sticking pins of gold in the
breasts of their Persian or Gallic slaves who dressed their hair. Such
is the humanity at which Tacitus is present. This view renders him
terrible. He states the facts, and leaves you to draw your conclusions.
You only meet a Potiphar in Rome. When Agrippina, reduced to her last
resource, seeing her grave in the eyes of her son, offers him her bed,
when her lips seek those of Nero, Tacitus is there, following her with
Public-domain text, read in full here on John Shaqi.
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