The German idiom passes the Channel and becomes the English language. In the order of intellectual facts, the German genius has other frontiers besides Germany. Such people resists Germany and yields to Germanism. The German spirit assimilates to itself the Greeks by Müller, the Serbians by Gerhard, the Russians by Goethe, the Magyars by Mailath. When Kepler, in the presence of Rudolph II., was preparing the Rudolphian Tables, it was with the aid of Tycho Brahé German affinities go far. Without any alteration in the local and national autonomies, it is with the great Germanic centre that the Scandinavian spirit in Oehlenschläger, and the Batavian spirit in Vondel, is connected. Poland unites herself to it, with all her glory, from Copernicus to Kosciusko, from Sobieski to Mickiewicz. Germany is the well of nations. They pass out of her like rivers; she receives them as a sea. It seems as though one heard through all Europe the wonderful murmur of the Hercynian forest. The German nature, profound and subtle, distinct from European nature, but in harmony with it, volatilizes and floats above nations. The German mind is misty, luminous, scattered. It is a kind of immense soul-cloud, with stars. Perhaps the highest expression of Germany can only be given by music. Music, by its very want of precision, which in this special case is a quality, goes where the German soul proceeds. If the German spirit had as much density as expansion,--that is to say, as much will as power,--she could, at a given moment, lift up and save the human race. Such as she is, she is sublime. In poetry she has not said her last word. At this hour, the symptoms are excellent. Since the jubilee of the noble Schiller, particularly, there has been an awakening, and a generous awakening. The great definitive poet of Germany will be necessarily a poet of humanity, of enthusiasm, and of liberty. Perchance, and some signs give token of it, we may soon see him arise from the young group of contemporary German writers. Music, we beg indulgence for this word, is the vapour of art. It is to poetry what revery is to thought, what the fluid is to the liquid, what the ocean of clouds is to the ocean of waves. If another description is required, it is the indefinite of this infinite. The same insufflation pushes it, carries it, raises it, upsets it, fills it with trouble and light and with an ineffable sound, saturates it with electricity and causes it to give suddenly discharges of thunder.