William Shakespeare: A Critical StudyBrandes, Georg
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William Shakespeare: A Critical Study
Brandes, Georg
Shakespeare, William, 1564-1616 -- Criticism and interpretation
Aubrey, who, however, did not write until 1680, is the authority,
supported by several others (Pope, Oldys, etc.), for the legend that
Shakespeare, on his yearly journeys from London to Stratford-on-Avon
and back, by way of Oxford and Woodstock, used to alight at the "Crown"
tavern, kept by one Davenant in Oxford, and there won the heart of his
hostess, the buxom and merry Mrs. Davenant, who "used much to delight
in his pleasant company." According to this tradition, the young
William Davenant, afterwards a poet of note, commonly passed in Oxford
for Shakespeare's son, and was said to bear some resemblance to him.
Sir William himself was not unwilling to have it believed that he was
"more than a poetic child only" of Shakespeare's.[1]
Be this as it may, Shakespeare had certainly sufficient personal
experience to enable him to sympathise with this princely youth, who,
despite the consciousness of his high aims, revels in his freedom,
shuns the court life and ceremonial which await him, throws his dignity
to the winds, riots in reckless high spirits, boxes the ears of the
Lord Chief-Justice, and has yet self-command enough to suffer arrest
without resistance, takes part in a tourney with a common wench's glove
in his helm--in short, does everything that most conflicts with his
people's sense of propriety and his father's doctrines of prudence, but
does it without coarseness, with a certain innocence, and without ever
having to reproach himself with any actual self-degradation. Henry IV.
misunderstands his son as completely as Frederick William of Prussia
misunderstood the young Frederick the Great.
Public-domain text, read in full here on John Shaqi.
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