English drama (Comedy); English drama -- 17th century
Whatever may have been the age at which Wycherley composed his plays,
it is certain that he did not bring them before the public till he
was upwards of thirty. In 1672, _Love in a Wood_ was acted with more
success than it deserved, and this event produced a great change
in the fortunes of the author. The Duchess of Cleveland cast her
eyes upon him and was pleased with his appearance. This abandoned
woman, not content with her complaisant husband and her royal keeper,
lavished her fondness on a crowd of paramours of all ranks, from dukes
to rope-dancers. In the time of the Commonwealth she commenced her
career of gallantry, and terminated it under Anne, by marrying, when
a great grandmother, that worthless fop, Beau Fielding. It is not
strange that she should have regarded Wycherley with favour. His figure
was commanding, his countenance strikingly handsome, his look and
deportment full of grace and dignity. He had, as Pope said long after,
"the true nobleman look," the look which seems to indicate superiority,
and a not unbecoming consciousness of superiority. His hair indeed, as
he says in one of his poems, was prematurely grey. But in that age of
periwigs this misfortune was of little importance.
The Duchess admired him, and proceeded to make love to him after
the fashion of the coarse-minded and shameless circle to which she
belonged. In the Ring, when the crowd of beauties and fine gentlemen
was thickest, she put her head out of her coach-window and bawled to
him--"Sir, you are a rascal; you are a villain;" and, if she is not
belied, she added another phrase of abuse which we will not quote, but
of which we may say that it might most justly have been applied to her
own children. Wycherley called on her Grace the next day, and with
great humility begged to know in what way he had been so unfortunate
as to disoblige her.[10] Thus began an intimacy from which the poet
probably expected wealth and honours. Nor were such expectations
unreasonable. A handsome young fellow about the court, known by the
name of Jack Churchill was, about the same time, so lucky as to become
the object of a short-lived fancy of the Duchess. She had presented
him with £4,500, the price, in all probability, of some title or some
pardon. The prudent youth had lent the money on high interest and on
landed security; and this judicious investment was the beginning of the
most splendid private fortune in Europe. Wycherley was not so lucky.
The partiality with which the great lady regarded him was indeed the
talk of the whole town; and, sixty years later, old men who remembered
those days told Voltaire that she often stole from the court to her
lover's chambers in the Temple, disguised like a country girl, with a
straw hat on her head, pattens on her feet and a basket in her hand.[11]
Public-domain text, read in full here on John Shaqi.
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