Automobile travel; France -- Description and travel
The Cours Mirabeau divides the modern city from its ancient fellow,
and as I leave the hotel, I plunge at once into the dark and narrow
streets of the latter where in René's day the poets, troubadours, and
gallants held high revels. Aix was the home of politeness, the theatre
of the courts of love, which in the valley of the Rhone can never be
platonic--and there were held fêtes and tournaments, and life was all
a song. It is not always the well-known objects which attract one most
in these old mediæval towns but the quaint bits and corners, fountains
and monuments unnoted in any guide-book. Yonder stately façade was
surely the dwelling of some one of importance in the old days. To-day
it is occupied by many of a far different order. An arched portal
gives entrance to a courtyard with an old fountain. A stately façade
beautifully carved rises beyond; and through a distant archway one
catches a glimpse of a deserted garden where the trees form a wild
tangle around broken statues, and there is the murmur of water, but
the soul of the house has long since passed away. Perhaps in the days
of the terror those doors resounded to thunderous knocking while the
silence of the night and the peace of the house vanished forever at the
dread summons, "Open in the name of the nation," a sure bidding, in
those times, to the guillotine; and I doubt not that, with the courage
of their class, Monsieur le Marquis and Madame la Marquise went forth
to their doom calmly and with great dignity.
One could stand and dream forever in this town of old Provence, but
the boys are gathering in curiosity as to why I gaze at a spot that
has never attracted a passing interest in their minds. "No one save
Jacques the huckster lives there, why should he excite any attention?"
The faded gilding in the ceilings of the great salon visible through
the dusty window tells no tale of bygone splendour to the boys, no
picture of Watteau figures in high heels dancing around that broken god
Pan in the garden pass before their mental visions. To-day one shaft of
that old cart rests upon his flute and a blossoming plum tree casts its
white shower over his head, but his music is silent for ever.
[Illustration: CLOISTERS OF THE CATHEDRAL AT AIX
From a photograph]
Public-domain text, read in full here on John Shaqi.
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