"Cecille Manners!" she drawled. "Cecille Manners--gown-fitter's
assistant! With a name like that I should be in a Broadway chorus."
It happened late one evening. Cecille was half undressed for bed. And
Felicity, busy at the mirror, turned an instant to follow with a
dispassionate eye the slight, knickered figure crossing the room.
"With a figure like that, you mean," she amended. "It's plain stingy
to keep it under cover. Think of the thousands who are panting to pass
over three-fifty per, just to sit out front and give it the up and
down!"
Nor did the girl at the mirror see the raw flush which her cool comment
brought to Cecille's face, nor would she have understood it had she
seen. That one's privacy, one's physical fastidiousness, could be
affronted by mere words, would have astounded her. Fastidiousness
carried that far--fastidiousness of any sort--was incomprehensible to
Felicity. But she found the topic momentarily of interest.
"It is kind of stagy," she pursued it. "Your own?"
"Naturally."
Cecille's crispness was lost upon her. They could never have
quarreled. And Cecille had found a dressing-gown and hugged it tight
around her knees.
"Oh, not necessarily," Felicity said, abstractedly judicious. "Take me
for instance. I tried out four or five before I was inspired with the
one I'm wearing now. And a couple of them woulda knocked you dead,
take it from me. But the Vere de Vere stuff is bla now. Too phony.
There's no class to that kind of a monicker any more. And, believe me,
you can't afford to overlook any bets, nowadays; you got to have class
in everything. Something simple--something demure, that's what they
want. You got to be a lady."
And perhaps that is the best explanation, after all, of Felicity's
cultivation of the other girl. One cannot of oneself acquire breeding,
but it is possible to study technique. And I think Cecille's reason
for sticking to Felicity to the very end is clear too. Once, before
things happened, she was one of those people who believed in the
inevitable dark river, or swift oblivion, or an agony of remorse.
Believed pathetically.
I think Felicity Brown served her as a fearsome revelation of life
stripped to its rawest essentials,--a demonstration of shattering
truths which she would never have believed had she not stood by,
looking on. It held her as a snake's eye holds a bird, fascinated, in
deadly peril.
But they got on together. And as an economic arrangement it left
nothing to be desired. Cecille sewed well and was paid twenty-two
fifty a week. For her appearance in the Aero Octet Felicity received,
at the beginning, forty-five. This may astonish some. It shouldn't.
Public-domain text, read in full here on John Shaqi.
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