Felicity Brown belonged to the Midnight Roof Club's famous Aero Octet.
That is, of course, a needless bit of information, presumptuous even to
the initiate, for everybody knows her, almost everybody. She was the
third from the left, the one in new-grass green, with balloons pendant
from the scalloped corners of her short, stiff-wired skirt--black
balloons like huge dull pearls. The one with the smile. Yes, I know
that the others smiled, too, constantly, provocatively; but sometimes
the set of their lips was likely to seem anything but the curl of
mirth. But not Felicity's.
It never lost its challenge. And her dancing was like that, tireless,
serenely abandoned, the essence of knowing grace. Half-pagan,
half-divine, Denby, the young cover artist, badly smitten, once put it
with striking unoriginality. And with exceeding inaccuracy, too. For
there are all too many who will insist that the pagan portion rather
over-balanced the rest. But her sheer vitality was amazing.
An unobserving person, still seeking the key to their intimacy, could
easily blunder upon the old bromide and repeat that a pretty woman
invariably prefers a plain one for a foil. But he would have to be a
very blind fool indeed. For Felicity Brown's beauty, perfect enough
under the spot of the Midnight Club's miniature stage, became a less
flawless thing in contrast with Cecille. Perhaps that sounds
far-fetched. Perhaps, having seen Felicity for yourself, you are
inclined to smile and shrug. Nevertheless it is so.
Not one of a million Denbys would ever have called Cecille half-pagan
or divine in any degree. He wouldn't have noticed her, even, unless
his attention had been pointedly called that way. And if another,
contemplating her with an eye not greedy of the flesh alone, had
finally hit upon the word poignant to describe the hungry youth of her,
the odd little tilt of her head, the soft and eager promise in swelling
line of hip and breast, Denby himself most certainly would have
murmured absently:
"Poignant. Yes--yes, poignant. Quite so--quite so!"
And yawned.
For she did not challenge instantly, as did Felicity. A man might look
at her a long time before her perfection smote him. It usually
happened that way; it happened exactly like that to Perry Blair. He
looked at her many, many times before he saw with seeing eyes and
realized how shyly precious and flagrantly bold girlhood like hers
could be.
Her smile was not as ready as that of the girl who danced. And it had
become a little strained, a little edged, before the end. But it never
lost its freshness. It was always as shining as fine rain at dawn.
And the inquiry in her eyes was not part calculation. They were more
wistful, less expectant maybe. But they were steady. And gray as a
November sea.
Once, remarking the incongruity of their names, Cecille repeated her
own with a shade of scorn and provoked from her companion one of the
few personalities in which she ever indulged.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account