A week later witnessed the grandest event of the season, for on 10th February the keeping of the Carnival commenced. For some days previously, the shops were full of false faces, wire gauze masks, strange dresses, and confetti; and cars were in course of decoration for the event, which necessarily, in a small place like Mentone, could only be upon a small scale. The coming affair was the grand talk of the town, and we had even some masquerading before it came. At last the eventful morning dawned. It was a complete holiday. Every one turned into the streets, or took possession of windows, balconies, and other salient points; while the promenade was ornamented with long venetian decorated poles, such as we had planted in the streets of Edinburgh when the Queen came to unveil the Prince Consort’s statue in 1876. Balconies were draped, flags were everywhere fluttering in the breeze, and the Cercle where prizes were to be distributed was gaily dressed with evergreens and coloured calico. At mid–day the procession was expected to move; but it was much too important to move off so early, and did not commence till two o’clock. Meantime the streets were filled with people in the oddest and most comical attire, with masks on their faces, rendering them unrecognisable by their friends. One of these figures was absurdly dressed in feathers as a huge cock, while another represented a still larger eagle. All this time the people were peppering each other with confetti, small round chalk pellets smaller than peas. But the grand peppering was reserved for the procession, which at last hove in sight. It was preceded by a car filled with musicians in carnival costume, who did not play, being probably afraid lest their instruments might suffer damage. Then a long row of fancy soldiers ambled forward on horseback, two and two, dressed in a uniform of blue coat and white trousers, looking very gay. Then various cars were dragged slowly or staggeringly along in odd devices, one of which was the representation of a gigantic lobster pie filled with men dressed out in red as boiled lobsters, while the horses had vast coverings as black or unboiled lobsters. Another car personified classical statuary, the men and women being chalked or painted over in white, and intended to be motionless, but as taken being well shaken, not always succeeding in preserving either rigidity or composure. Various other cars, besides walking figures, and people in carriages, all disguised, completed the procession, which, like a stage army, to make up for the want of numbers, passed round the circle and repassed repeatedly. All this time, the people in the street, or on the balconies or scaffoldings erected for the occasion, and in the carriages and cars, continued to fire away at each other a copious shower of confetti. These were discharged with a right good–will; but all, except the improvident, being protected by masks and calico