Only many years later did she discover that the careless and neglected cousin was the poet Heinrich Heine. We know from many a record how keenly Heine suffered from these repulses at the hands of his wealthy relatives in his youth and during later years. The witticism “famillionaire” grew out of the soil of such a subjective emotional feeling. One may suspect similar subjective determinations in many other witticisms of the great scoffers, but I know of no other example by which one can show this in such a convincing way. It is therefore hazardous to venture a more definite opinion about the nature of this personal determination. Furthermore, one is not inclined in the first place to claim similar complicated conditions for the origin of each and every witticism. Neither are the witty productions of other celebrated men better suited to give us the desired insight into the subjective determination of wit. In fact, one gets the impression that the subjective determination of wit production is oftentimes not unrelated to persons suffering from neurotic diseases, when, for example, one learns that Lichtenberg was a confirmed hypochondriac burdened with all kinds of eccentricities. The great majority of witticisms, especially those produced from current happenings, are anonymous; one might be inquisitive to know what kind of people they are who originate them. The physician occasionally has an opportunity to make a study of persons who, if not renowned wits, are recognized in their circle as witty and as originators of many passable witticisms; he is often surprised to find such persons showing dissociated personalities and a predisposition to nervous affections. However, owing to insufficient data, we certainly cannot maintain that such a psychoneurotic constitution is a regular or necessary subjective condition for wit-making. A clearer case is afforded by Jewish witticisms which, as before mentioned, are made exclusively by Jews themselves, whereas Jewish stories of different origin rarely rise above the level of the comical strain or of brutal mockery (p. 166). The determination for the self-participation here, as in Heine’s joke “famillionaire,” seems to be due to the fact that the person finds it difficult to express directly his criticism or aggression and is thus compelled to resort to by-ways.