Wit and its relation to the unconsciousFreud, Sigmund
Science
Wit and its relation to the unconscious
Freud, Sigmund
Subconsciousness; Wit and humor -- Psychological aspects
_Comparison of Two Kinds of Expenditure as Pleasure-sources_
We now note that we must continue our discussion by following two
different paths; first, to determine the conditions for the discharge of
the surplus; secondly, to test whether the other cases of the comic can
be conceived similarly to our conception of comic motion.
We shall turn first to the latter task and after considering comic
movement and action we shall turn to the comic found in the psychic
activities and peculiarities of others.
As an example of this kind we may consider the comical nonsense produced
by ignorant students at examinations; it is more difficult, however, to
give a simple example of the peculiarities. We must not be confused by
the fact that nonsense and foolishness which so often act in a comical
manner are nevertheless not perceived as comical in all cases, just as
the same things which once made us laugh because they seemed comical
later may appear to us contemptible and hateful. This fact, which we
must not forget to take into account, seems only to show that besides
the comparison familiar to us other relations come into consideration
for the comic effect,—conditions which we can investigate in other
connections.
The comic found in the mental and psychic attributes of another person
is apparently again the result of a comparison between him and my own
ego. But it is remarkable that it is a comparison which mostly furnishes
the result opposite to that obtained through comic movement and action.
In the latter case it is comical if the other person assumes a greater
expenditure than I believe to be necessary for me; in the case of
psychic activity it is just the reverse, it is comical if the other
person economizes in expenditure, which I consider indispensable; for
nonsense and foolishness are nothing but inferior activities. In the
first case I laugh because he makes it too difficult for himself, and in
the latter case because he makes it too easy for himself. In the case of
the comic effect it seems to be a question only of the difference
between the two energy expenditures—the one of “feeling one’s self into
something” (_Einfühlung_)—and the other of the ego—and it makes no
difference in whose favor this difference inclines. This peculiarity,
which at first confuses our judgment, disappears, however, when we
consider that it is in accord with our personal development towards a
higher stage of culture, to limit our muscular work and increase our
mental work. By heightening our mental expenditure we produce a
diminution of motion expenditure for the same activity. Our machines
bear witness to this cultural success.[70]
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