With the Empress Dowager of ChinaCarl, Katharine A. (Katharine Augusta)
History
With the Empress Dowager of China
Carl, Katharine A. (Katharine Augusta)
China -- Court and courtiers; Cixi, Empress dowager of China, 1835-1908; Empresses -- China -- Biography
Her Majesty’s Ladies-in-waiting are principally Princesses of the Blood
or the widows of Imperial Princes. Her first Lady, Sih-Gerga (Fourth
Princess), daughter of Prince Ching, the Prime Minister, is a widow
of twenty-four. She married, at the age of sixteen, a son of a high
Manchu official, Viceroy of Tientsin, and was left a widow a few months
later. She is a beautiful young woman, with face a perfect oval, large
brown eyes, and a clear, magnolia-leaf complexion of exquisite texture.
She would be called beautiful, judged by any standard. She has no
children of her own, but, like most ladies of position who are widows
or childless, has an adopted son. Adopted children in China are much
closer relationships than is a child, by adoption, with us. In many
instances their own parents are still living when they are adopted,
and even these parents speak of their child as the son of the adopted
mother or parents, and bow to her wishes in bringing up the child.
[Illustration: THE YOUNG EMPRESS YE-HO-NA-LAH
First Wife of the Emperor of China]
The next two Ladies of the Court are two Duchesses--also widows. Widows
in China never remarry, or if they do, they lose caste and reputation.
They are not sacrificed on the funeral pyres of their departed
husbands, as in India; but a voluntary suicide on the part of a widow
in China is still looked upon as a noble act. A widow who remains
faithful to the memory of her husband during a long life is rewarded
by the greatest respect and consideration during her life, and honored
after death.
If a girl prefers to remain unmarried, if a widow remains faithful
to the memory of her husband, she is honored after her death with
much pomp and ceremony! And great memorial arches are erected in her
memory! All over China, one is constantly coming upon these arches to
widows and virgins. If the family is not sufficiently wealthy to raise
these monuments themselves, public subscriptions are taken, all the
relatives contribute, and often the inhabitants of the village or the
country where the heroine lived beg to be allowed to have their part in
raising a monument to her memory. These arches, of stone or wood, are
elaborately carved, sometimes with remarkable sculptures of fabulous
animals, flowers, and thousands of birds of every kind (these latter
showing the immortality the soul has acquired). Across the entablature
of the arch, cut deep into the stone or wood, and gilded or painted in
glowing vermilion, shines the name of the virgin or widow to whom it is
erected, and on the sides of the arch is inscribed an account of her
virtuous acts.
Public-domain text, read in full here on John Shaqi.
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