Short stories; United States -- Social life and customs -- 19th century -- Fiction
Produced by David Widger
WITH THE EYES SHUT
By Edward Bellamy
1898
Railroad rides are naturally tiresome to persons who cannot read on the
cars, and, being one of those unfortunates, I resigned myself, on taking
my seat in the train, to several hours of tedium, alleviated only by
such cat-naps as I might achieve. Partly on account of my infirmity,
though more on account of a taste for rural quiet and retirement, my
railroad journeys are few and far between. Strange as the statement may
seem in days like these, it had actually been five years since I had
been on an express train of a trunk line. Now, as every one knows, the
improvements in the conveniences of the best equipped trains have in
that period been very great, and for a considerable time I found myself
amply entertained in taking note first of one ingenious device and then
of another, and wondering what would come next. At the end of the first
hour, however, I was pleased to find that I was growing comfortably
drowsy, and proceeded to compose myself for a nap, which I hoped might
last to my destination.
Presently I was touched on the shoulder, and a train boy asked me if I
would not like something to read. I replied, rather petulantly, that I
could not read on the cars, and only wanted to be let alone.
“Beg pardon, sir,” the train boy replied, “but I 'll give you a book
you can read with your eyes shut. Guess you have n't taken this line
lately,” he added, as I looked up offended at what seemed impertinence.
“We 've been furnishing the new-fashioned phonographed books and
magazines on this train for six months now, and passengers have got so
they won't have anything else.”
Probably this piece of information ought to have astonished me more than
it did, but I had read enough about the wonders of the phonograph to
be prepared in a vague sort of way for almost anything which might be
related of it, and for the rest, after the air-brakes, the steam heat,
the electric lights and annunciators, the vestibuled cars, and other
delightful novelties I had just been admiring, almost anything seemed
likely in the way of railway conveniences. Accordingly, when the boy
proceeded to rattle off a list of the latest novels, I stopped him with
the name of one which I had heard favorable mention of, and told him I
would try that.
He was good enough to commend my choice. “That's a good one,” he said.
“It's all the rage. Half the train's on it this trip. Where 'll you
begin?”
“Where? Why, at the beginning. Where else?” I replied.
“All right. Did n't know but you might have partly read it. Put you on
at any chapter or page, you know. Put you on at first chapter with next
batch in five minutes, soon as the batch that's on now gets through.”
Public-domain text, read in full here on John Shaqi.
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