Aeronautics, Military -- France; World War, 1914-1918 -- Aerial operations; World War, 1914-1918 -- Personal narratives
The first duty to which I was assigned was "réglage," and this, I found,
involves many complications. The chief source of trouble usually is the
wireless apparatus, which has to be maintained in perfect working order.
Before leaving the home field you usually circle over it, while your
observer tests his sending apparatus. The receiving operator then
answers by visual signals. Usually these are large white sheets laid on
the ground in different formations, which have a prearranged meaning.
When the radio is found to be in perfect order you are off to the
battery you have been ordered to co-operate with. By wireless your
observer then reports to the battery commander, and receives his orders
by means of the same visual signals. You then head in the direction
indicated to you before leaving, and, hovering over the position to be
bombarded, the observer signals back "fire." The moment the shells have
landed you turn quickly about and inform the artillery just how many
metres their fire was long, short, or to the right or left. Your
message is once more answered with the sheets. Again you fly back
toward the enemy’s position, circling in this way backward and forward
between the battery and the target until the réglage is completed.
Naturally every care must be taken not to disclose the position of your
own guns to the enemy, or retaliation—"strafe," the English call
it—summarily follows. Sometimes it is the battery which interrupts the
work with the signal, "Avion ennemi," when the fire instantly ceases
until the German aeroplane has disappeared or been driven off.
With such occasional interruptions the work continues until your
observer can send back the signal "fire correct," which is generally
answered by the "sheet signal" with the information that you may return
home. Until this dismissal occurs, however, the ground below wholly
engrosses the attention of your observer. You yourself are forced to
keep a close watch for Boche fighting-machines so as not to be caught
unawares by one of them. This is often a very trying task, as the models
of some of the French and German aeroplanes are so very much alike that
they cannot be distinguished until they are within range. The tricolor
cockade and the black iron cross painted on the top and bottom of each
wing serve to identify the fliers of the two belligerents, but these
colors cannot be seen very far. You consequently have little warning as
to whether the approaching planes are friends or foes.
Sometimes the enemy’s anti-aircraft batteries become a bit too familiar.
On such occasions the observer tries to signal to his batteries to drop
a shell or two where these pieces are mounted. Often quiet is not
restored until the machine has been more or less riddled with shrapnel
bullets.
One réglage is very much like another, and when you have read the
description of one you become familiar with them all. It is only in the
results accomplished that the details vary.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account