Aeronautics, Military -- France; World War, 1914-1918 -- Aerial operations; World War, 1914-1918 -- Personal narratives
It is a curious fact that in the first months of the war many artillery
officers refused to follow the directions of their aerial observers. A
colonel of artillery who has been firing big guns all his life cannot be
blamed for not thinking that a young observation officer and a mere
aviator know enough about the work of batteries to tell him where his
shells are falling. Orders, consequently, had to be issued placing the
artillery absolutely under the direction of the observers and calling
upon the pilots to report any case where a battery refused to be guided
by the signals it received. That put an end to the trouble.
At first I felt a strong aversion to flying over batteries in action.
You are bound to get in close proximity to the trajectory of the shells,
and the constant sensation and sound of the passing projectiles is none
too pleasant. You get them both coming and going, and, no matter which
you are trying to avoid, you are always taking a chance with the other.
It is a question of choosing between the devil and the deep sea, with
the devil constantly stepping into your path.
[Illustration: Reduced facsimile of the photographic report supplied
to the Headquarters Stall of the fighting at Cumières.]
When you are observing for the artillery you must stay and die, if
necessary, in the performance of your assigned duty. It is another
matter with reconnoissance or photographic work. Here the main thing is
to get back to headquarters with the information you have gained. If
you are attacked and you see no chance of successfully fighting off the
enemy, it is your business to run.
After some weeks of service with the fire-control detail I was ordered
to serve as a photography pilot. This I found a most interesting duty.
Whenever we received orders to photograph a position we would start out
immediately, flying very low—say, from one thousand eight hundred to
three thousand feet. As we reached the part of the enemy’s positions to
be photographed I would fly in parallel lines, while my observer took
the photographs with a specially constructed telephoto camera. We would
then hasten back to camp and immediately hand the plates over to the
sergeant in charge of the dark room. This taciturn non-com would waste
no time with words. In a few moments the photographs would be ready and
on their way to headquarters. On several occasions I have seen
photographs placed in the hands of the Etat-Major within an hour and a
half after the order had been issued by the commanding officer
there—examples of celerity and efficiency of service which have placed
the photographic branch of aviation "hors concours."
*ALL IN THE DAY’S WORK*
Public-domain text, read in full here on John Shaqi.
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