With the French in France and SalonikaDavis, Richard Harding
History
With the French in France and Salonika
Davis, Richard Harding
World War, 1914-1918 -- Personal narratives
What we saw of these cave-dwellers was only a few feet of a moat that
for three hundred miles like a miniature canal is cut across France.
Where we stood we could see of the three hundred miles only mud walls,
so close that we brushed one with each elbow. By looking up we could
see the black, leaden sky. Ahead of us the trench twisted, and an arrow
pointed to a first-aid dressing-station. Behind us was the winding
entrance to a shelter deep in the earth, reinforced by cement and
corrugated iron, and lit by a candle.
From a trench that was all we could see of the war, and that is all
millions of fighting men see of it--wet walls of clay as narrow as a
grave, an arrow pointing to a hospital, earthen steps leading to a
shelter from sudden death, and overhead the rain-soaked sky and perhaps
a great bird at which the enemy is shooting snowballs.
In northern France there are many buried towns and villages. They are
buried in their own cellars. Arras is still uninterred. She is the
corpse of a city that waits for burial, and day by day the German shells
are trying to dig her grave. They were at it yesterday when we visited
Arras, and this morning they will be hammering her again.
Seven centuries before this war Arras was famous for her tapestries, so
famous that in England a piece of tapestry was called an arras. Now she
has given her name to a battle--to different battles--that began with
the great bombardment of October a year ago, and each day since then
have continued. On one single day, June 26, the Germans threw into the
city shells in all sizes, from three to sixteen inches, and to the
number of ten thousand. That was about one for each house.
This bombardment drove 2,700 inhabitants into exile, of whom 1,200 have
now returned. The army feeds them, and in response they have opened
shops that the shells have not already opened, and supply the soldiers
with tobacco, post-cards, and from those gardens not hidden under bricks
and cement, fruit and vegetables. In the deserted city these civilians
form an inconspicuous element. You can walk for great distances and see
none of them. When they do appear in the empty streets they are like
ghosts. Every day the shells change one or two of them into real ghosts.
But the others still stay on. With the dogs nosing among the fallen
bricks, and the pigeons on the ruins of the cathedral, they know no
other home.
Public-domain text, read in full here on John Shaqi.
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