With the French in France and SalonikaDavis, Richard Harding
History
With the French in France and Salonika
Davis, Richard Harding
World War, 1914-1918 -- Personal narratives
As we entered Arras the silence fell like a sudden change of
temperature. It was actual and menacing. Every corner seemed to threaten
an ambush. Our voices echoed so loudly that unconsciously we spoke in
lower tones. The tap of the captain's walking-stick resounded like the
blow of a hammer. The emptiness and stillness was like that of a vast
cemetery, and the grass that had grown through the paving-stones
deadened the sound of our steps. This silence was broken only by the
barking of the French seventy-fives, in parts of the city hidden to
us, the boom of the German guns in answer, and from overhead by the
aeroplanes. In the absolute stillness the whirl of their engines came
to us with the steady vibrations of a loom.
In the streets were shell holes that had been recently filled and
covered over with bricks and fresh earth. It was like walking upon newly
made graves. On either side of us were gaping cellars into which the
houses had dumped themselves or, still balancing above them, were walls
prettily papered, hung with engravings, paintings, mirrors, quite
intact. These walls were roofless and defenseless against the rain and
snow. Other houses were like those toy ones built for children, with the
front open. They showed a bed with pillows, shelves supporting candles,
books, a washstand with basin and pitcher, a piano, and a reading-lamp.
In one house four stories had been torn away, leaving only the attic
sheltered by the peaked roof. To that height no one could climb, and
exposed to view were the collection of trunks and boxes familiar to all
attics. As a warning against rough handling, one of these, a woman's
hat-box, had been marked "Fragile." Secure and serene, it smiled down
sixty feet upon the mass of iron and bricks it had survived.
Of another house the roof only remained; from under it the rest of the
building had been shot away. It was as though after a soldier had been
blown to pieces, his helmet still hung suspended in mid-air.
In other streets it was the front that was intact, but when our captain
opened the street door we faced a cellar. Nothing beside remained. Or
else we stepped upon creaky floors that sagged, through rooms swept by
the iron brooms into vast dust heaps. From these protruded wounded
furniture--the leg of a table, the broken arm of a chair, a headless
statue.
[Illustration: _From a photograph by R. H. Davis._
"Of another house the roof only remained, from under it the rest of
the building had been shot away."]
From the debris we picked the many little heirlooms, souvenirs,
possessions that make a home. Photographs with written inscriptions,
post-cards bearing good wishes, ornaments for the centre-table,
ornaments for the person, images of the church, all crushed, broken,
and stained. Many shop-windows were still dressed invitingly as they
were when the shell burst, but beyond the goods exposed for sale was
only a deep hole.
Public-domain text, read in full here on John Shaqi.
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