Withered Leaves: A Novel. Vol. 1 (of 3)Gottschall, Rudolf von
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Withered Leaves: A Novel. Vol. 1 (of 3)
Gottschall, Rudolf von
German fiction -- Translations into English
Spirits still rose; the attornies begged the young ladies for dances
under the pear tree. One of them had invited the seven Fräuleins von
Baute, one after another, and had their names written down upon his
dancing-card; his friends designated him the possessor of the seven
evil spirits.
Father Baute, meanwhile, had forced young Doctor Reising into a corner,
and declared to him, with elevated champagne glass, that he now boldly
challenged the latter to any discussion, as his ideas stepped more
briskly than ever across the threshold of consciousness, while Reising,
on the contrary, also excited by wine, protested in permitting himself
the daring utterance that consciousness has no threshold, because it
has not been made by any carpenter, and indeed that mode of
philosophising always caused him to imagine himself transported to some
mental timber yard, as, for example, when the formation of ideas was
talked of.
But the Professor became beside himself; with a wide sweeping movement,
he dashed the champagne glass into pieces against the wall.
"You say that to a disciple of Herbart; incredible!"
Reising, who had long since been shocked at his own daring, hardly knew
how to shield himself from the Professor's furious wrath.
Euphrasia, whose entire future threatened to fall into broken
potsherds, approached the opponents, wringing her hands.
Doctor Kuhl's interposition was more powerful; he thrust his Herculean
form between them.
"Peace, sirs! '_In vino veritas_? said one Roman; but 'what is truth!'
said another Roman. Here there is certainly no time to fathom it. Look,
Fräulein Euphrasia appears as an angel of peace; true womanliness was
even able to redeem a thinker like Faust. Let the flag of peace be
waved! We will drink to an alliance between Hegel and Herbart. Neither
Napoleon nor German philosophy ever recognised anything to be
impossible."
The Kursaal, like Westminster Abbey, possessed a Poet's Corner in which
the admired poet, Schöner, was obliged to permit himself to be
instructed by the school-boy, Salomon, on several important questions
concerning the art of poesy. Salomon had strengthened the consciousness
of his intellectual superiority with several glasses of champagne, and
could not resist pointing out to Poet Schöner, despite all recognition
of his talents, that political lyrics were an unlawful hermaphrodite
species of poetry, inasmuch as one is always led away to subjects about
which leading articles appear in the newspapers. What a totally
different influence a song of Heine or Eichendorff possesses: "_In
einem kühlen Grunde, da geht ein Mühlenrad_."
"The mill wheel in the cool valley, my friend," said Schöner, as he
patted the young connoisseur upon his shoulders with the air of a
protector, "goes round in our heads too long already, and the German
people become so stupid with all that folly, so stupid--let us drink to
your well-being, young poet!"
Public-domain text, read in full here on John Shaqi.
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