Bildungsromans; France -- Social life and customs -- 19th century -- Fiction; Villages -- France -- Fiction
succession--who took our tickets without even glancing at us, so
preoccupied were they with their anxiety lest any of Mme. Berma's
instructions had not been duly transmitted to the new members of the
staff, lest it was not clearly, everywhere, understood that the hired
applause must never sound for her, that the windows must all be kept
open so long as she was not on the stage, and every door closed tight,
the moment that she appeared; that a bowl of hot water must be concealed
somewhere close to her, to make the dust settle: and, for that matter,
at any moment now her carriage, drawn by a pair of horses with flowing
manes, would be stopping outside the theatre, she would alight from it
muffled in furs, and, crossly acknowledging everyone's salute, would
send one of her attendants to find out whether a stage box had been kept
for her friends, what the temperature was "in front", who were in the
other boxes, if the programme sellers were looking smart; theatre and
public being to her no more than a second, an outermost cloak which she
would put on, and the medium, the more or less "good" conductor through
which her talent would have to pass. I was happy, too, in the theatre
itself; since I had made the discovery that--in contradiction of the
picture so long entertained by my childish imagination--there was but
one stage for everybody, I had supposed that I should be prevented from
seeing it properly by the presence of the other spectators, as one is
when in the thick of a crowd; now I registered the fact that, on the
contrary, thanks to an arrangement which is, so to speak, symbolical of
all spectatorship, everyone feels himself to be the centre of the
theatre; which explained to me why, when Françoise had been sent once
to see some melodrama from the top gallery, she had assured us on her
return that her seat had been the best in the house, and that instead of
finding herself too far from the stage she had been positively
frightened by the mysterious and living proximity of the curtain. My
pleasure increased further when I began to distinguish behind the said
lowered curtain such confused rappings as one hears through the shell of
an egg before the chicken emerges, sounds which speedily grew louder and
suddenly, from that world which, impenetrable by our eyes, yet
scrutinised us with its own, addressed themselves, and to us
indubitably, in the imperious form of three consecutive hammer-blows as
moving as any signals from the planet Mars. And--once this curtain had
risen,--when on the stage a writing-table and a fireplace, in no way out
of the ordinary, had indicated that the persons who were about to enter
would be, not actors come to recite, as I had seen them once and heard
them at an evening party, but real people, just living their lives at
home, on whom I was thus able to spy without their seeing me--my
pleasure still endured; it was broken by a momentary uneasiness; just as
Public-domain text, read in full here on John Shaqi.
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