If, at the moment of leaving Mme. Swann, when her tea-party ended, I was thinking of what I was going to write to her daughter, Mme. Cottard, as she departed, had been filled with thoughts of a wholly different order. On her little "tour of inspection" she had not failed to congratulate Mme. Swann on the new "pieces", the recent "acquisitions" which caught the eye in her drawing-room. She could see among them some, though only a very few of the things that Odette had had in the old days in the Rue La Pérouse, for instance her animals carved in precious stones, her fetishes. For since Mme. Swann had picked up from a friend whose opinion she valued the word "dowdy"--which had opened to her a new horizon because it denoted precisely those things which a few years earlier she had considered "smart"--all those things had, one after another, followed into retirement the gilded trellis that had served as background to her chrysanthemums, innumerable boxes of sweets from Giroux's, and the coroneted note-paper (not to mention the coins of gilt pasteboard littered about on the mantelpieces, which, even before she had come to know Swann, a man of taste had advised her to sacrifice). Moreover in the artistic disorder, the studio-like confusion of the rooms, whose walls were still painted in sombre colours which made them as different as possible from the white-enamelled drawing-rooms in which, a little later, you were to find Mme. Swann installed, the Far East recoiled more and more before the invading forces of the eighteenth-century; and the cushions which, to make me "comfortable", Mme. Swann heaped up and buffeted into position behind my back were sprinkled with Louis XV garlands and not, as of old, with Chinese dragons. In the room in which she was usually to be found, and of which she would say, "Yes, I like this room; I use it a great deal. I couldn't live with a lot of horrid vulgar things swearing at me all the time; this is where I do my work----" though she never stated precisely at what she was working. Was it a picture? A book, perhaps, for the hobby of writing was beginning to become common among women who liked to "do something", not to be quite useless. She was surrounded by Dresden pieces (having a fancy for that sort of porcelain, which she would name with an English accent, saying in any connexion: "How pretty that is; it reminds me of Dresden flowers,"), and dreaded for them even more than in the old days for her grotesque figures and her flower-pots the ignorant handling of her servants who must expiate, every now and then, the anxiety that they had caused her by submitting to outbursts of rage at which Swann, the most courteous and considerate of masters, looked on without being shocked. Not that the clear perception of certain weaknesses in those whom we love in any way diminishes our affection for them; rather that affection makes us find those weaknesses charming. Rarely nowadays was it in one