Bildungsromans; France -- Social life and customs -- 19th century -- Fiction; Villages -- France -- Fiction
When Gilberte, who, as a rule, gave her tea-parties on the days when her
mother was "at home", had for some reason to go out, and I was therefore
free to attend Mme. Swann's "kettledrum", I would find her dressed in
one of her lovely gowns, some of which were of taffeta, others of
grosgrain, or of velvet, or of _crêpe-de-Chine_, or satin or silk,
gowns which, not being loose like those that she generally wore in the
house but buttoned up tight as though she were just going out in them,
gave to her stay-at-home laziness on those afternoons something alert
and energetic. And no doubt the daring simplicity of their cut was
singularly appropriate to her figure and to her movements, which her
sleeves appeared to be symbolising in colours that varied from day to
day: one would have said that there was a sudden determination in the
blue velvet, an easy-going good-humour in the white taffeta, and that a
sort of supreme discretion full of dignity in her way of holding out her
arm had, in order to become visible, put on the appearance, dazzling
with the smile of one who had made great sacrifices, of the black
_crêpe-de-Chine._ But at the same time these animated gowns took from
the complication of their trimmings, none of which had any practical
value or served any conceivable purpose, something detached, pensive,
secret, in harmony with the melancholy which Mme. Swann never failed to
shew, at least in the shadows under her eyes and the drooping arches of
her hands. Beneath the profusion of sapphire charms, enamelled four-leaf
clovers, silver medals, gold medallions, turquoise amulets, ruby chains
and topaz chestnuts there would be, on the dress itself, some design
carried out in colour which pursued across the surface of an inserted
panel a preconceived existence of its own, some row of little satin
buttons, which buttoned nothing and could not be unbuttoned, a strip of
braid that sought to please the eye with the minuteness, the discretion
of a delicate reminder; and these, as well as the trinkets, had the
effect--for otherwise there would have been no possible justification of
their presence--of disclosing a secret intention, being a pledge of
affection, keeping a secret, ministering to a superstition,
commemorating a recovery from sickness, a granted wish, a love affair or
a "philippine". And now and then in the blue velvet of the bodice a hint
of "slashes", in the Henri II style, in the gown of black satin a slight
swelling which, if it was in the sleeves, just below the shoulders, made
one think of the "leg of mutton" sleeves of 1830, or if, on the other
hand, it was beneath the skirt, with its Louis XV paniers, gave the
dress a just perceptible air of being "fancy dress" and at all events,
by insinuating beneath the life of the present day a vague reminiscence
of the past, blended with the person of Mme. Swann the charm of certain
heroines of history or romance. And if I were to draw her attention to
Public-domain text, read in full here on John Shaqi.
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