England -- Social life and customs -- 19th century -- Fiction; Families -- Fiction; Stepmothers -- Fiction
old house pretty, must be relinquished, it was true; but, still, at
nineteen one can put up with a great deal in the present. There is
always the future, so much of the future, like the sky and the plain
from St. Michael’s Hill, spreading above, below, everywhere, without
limit or bound, save in the eyes which can only reach a certain
distance. So Lottie comforted herself for “just now,” and marched on
into her life, colours flying and drums beating, taking as little heed
as she could of those stragglers who would always fall out of the
ranks--her father always shuffling off to some new haunt or other, the
places which such men find out by instinct in the least-known locality,
and large loose-limbed Law, whose vague career was always dubious, and
who could not keep step. Never mind! Lottie herself set out, brave, head
erect, eyes straight, all her faculties in fullest attention to the roll
of her own cheerful drum.
The earliest part of her career here, however, was brightened yet
disturbed by a discovery which considerably confused her mind in her
outset, and seemed to open better prospects before her. Lottie found out
that she had a voice. She had known that she could sing long before, and
had performed many a time in the little parlour at Fairford to the
admiration of all hearers, singing every new comic song that burst upon
the little provincial world from the music-halls in London, and knowing
no better, so long as she was a child. There was no harm in the songs
she sang, nothing but absolute silliness and flippancy, such as are
natural to that kind of production; but as Lottie grew into womanhood,
and began by instinct to know better, she gave them up, and knowing no
others except some ancient sentimental ditties of her mother’s, gave up
singing so far as a musical creature can give up what is another kind of
breathing to her. But when she heard the choir in the Abbey church,
Lottie woke up, with such a delightful discovery of what music was, and
such an ecstatic finding out of her own powers, as words cannot express.
She had an old jingling worn-out piano, and had “learned to play” from
her mother, who knew nothing about it, except as much as could be taught
to a school-girl twenty years before; but this meagre instruction, and
the bad instrument, and the half-dozen “pieces” which were all Mrs.
Despard’s musical library, had not attracted the pupil, and it was not
till she heard the organ pealing through St. Michael’s, and the
choristers singing like angels--though they were not like angels out of
doors--that Lottie awoke to a real consciousness of her own gift. She
had never had any education herself. Though she was so anxious for
school for Law, it had not occurred to her that she wanted any
schooling. Lottie was narrow-minded and practical. She did not
understand self-culture. She wanted Law to learn, because without
education he could not do anything worth speaking of, could not earn any
money, could not get on in the world.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account