England -- Social life and customs -- 19th century -- Fiction; Families -- Fiction; Stepmothers -- Fiction
whole even Law was not sure that there was not something to be said for
the new administration of the house. There was no cold beef--that was an
improvement patent to the meanest capacity. As for Polly, nothing had
yet occurred to mar her glory and happiness. She wore her blue silk
every day, she walked gloriously about the streets in her
orange-blossoms, pointed out by everybody as one of the ladies of the
Abbey. She went to the afternoon service and sat in her privileged seat,
and looked down with dignified sweetness upon “the girls” who were as
she once was. She felt herself as a goddess, sitting there in the
elevated place to which she had a right, and it seemed to her that to be
a Chevalier’s wife was as grand as to be a princess. But Polly did not
soil her lips with so vulgar a word as wife. She called herself a
Chevalier’s lady, and her opinion of her class was great. “Chevalier
means the same thing as knight, and, instead of being simple missis, I
am sure we should all be My lady,” Polly said, “if we had our rights.”
Even her husband laughed, but this did not change her opinion. It was
ungrateful of the other Chevaliers’ ladies that they took no notice of
this new champion of their order. But for the moment Polly, in the
elation of her success, did not mind this, and was content to wait for
the recognition which sooner or later she felt would be sure to come.
This elation kept her from interfering with Lottie, whose self-absorbed
life in her own room, and her exits and entrances, Mrs. Despard
tolerated and seemed to accept as natural; she had so many things to
occupy and to please her, that she could afford to let her step-daughter
alone. And thus Lottie pursued for a little time that life out of nature
to which she had been driven. She lived in those moments on the Slopes,
and in the hours she spent at the Signor’s piano, singing; and then
brooded over these intervals of life in the silence. Her lessons had
increased to three in the week, and these hours of so-called study were
each like a drama of intense and curious interest. Rollo was always
there--a fact which he explained to the Signor by his professional
interest in the new singer, and which to Lottie required no explanation;
and there too was her humble lover, young Purcell, who as she grew
familiar with the sight of him, and showed no displeasure at his
appearance, grew daily a little more courageous, sometimes daring to
turn the leaves of the music, and even to speak to her. Mrs.
O’Shaughnessy, who sat by, watching them all with lively but not
extravagant interest, was the only one in the little party who was not
more or less excited. As for Lottie, this lesson was the centre of all
her life. If music be the food of love, love was the very inspiration of
music to her; the two re-acted upon each other, raising her to such a
height of primitive heroic passion as nobody near her divined--as
nobody, indeed, except perhaps the Signor, with his Italian
Public-domain text, read in full here on John Shaqi.
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