Bohemianism -- Fiction; London (England) -- Social life and customs -- 19th century -- Fiction; Married people -- England -- Fiction
The light-hearted gaiety of the young man amused Dora. A woman, although
she does not countenance that love of independence in her husband,
admires it in other men. I feel inclined to believe that women have a
mingled feeling of admiration and respect for the man who has not been
caught in the matrimonial toils.
Dora was playing with the pansies that she had scattered on the table.
"You see these flowers," she said suddenly to de Lussac, "well, there is
an impenetrable mystery connected with them."
"You don't say so," said he, noticing the comically majestic air she had
assumed.
"Yes! a real live mystery. On our wedding-day there arrived a bunch
similar to this one. Who sent it? That is the mystery. On every
anniversary of our marriage, we get another. Are the flowers for Philip
or for me? More mystery. Philip says they are from some old admirer of
mine; from some old sweetheart of his, I say. Still they come, and are
always welcome."
"I am not versed in the language of flowers," said de Lussac, "but I
fancy I remember a little verse, beginning something after this
fashion--
Pansies for thought--
Love lies bleeding.
I cannot recollect the words exactly, but perhaps there is a bleeding
heart somewhere. Oh, this is terrible of me," exclaimed de Lussac, again
looking at his watch; "it is eleven o'clock, and I am still here
chattering. I ought to be at the Embassy; I must really go. Will you be
kind enough to tell your husband that I will send him a wire as soon as
I know something definite?--no, no, I will come myself."
"About what?" said Dora.
"Oh! about something--which concerns me."
He shook hands with Dora and went out hurriedly.
Dora, left alone, began to arrange the flowers. The pansy was a flower
which fascinated her, and suggested to her mind all kinds of fantastic
faces. She seemed to see sad and solemn ones, some smiling and gay,
others saucy; they represented to her a perfect gallery of weird faces.
She chose some of the best, made them into a little bouquet for Philip
to paint in her picture. Taking away one or two that did not harmonise
with her dress, she placed the bunch on her husband's easel.
"Oh, what pretty flowers!" shouted Eva, who had just come into the
studio, followed by Hobbs. She was dressed to go out for her daily
morning walk.
"Mama, aren't you coming out for a walk with us?"
"No, my sweet," replied Dora; "I cannot this morning. You know that
daddy is going to finish my picture this morning, so I must stay with
him; he will want me."
"You are always with daddy," said Eva, pouting. "You never come for a
walk with me."
"How can you say such things? You know I go out very often with you--but
I can't to-day. To-morrow, yes! to-morrow. Come, be a good little girl."
"A good little girl," said Eva, sighing, "that's what you always say to
me."
"When I was a little girl," said Dora, trying to look serious, "I, too,
had to be good, you know."
Public-domain text, read in full here on John Shaqi.
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