Bohemianism -- Fiction; London (England) -- Social life and customs -- 19th century -- Fiction; Married people -- England -- Fiction
Her glance wandered again to the picture. "Not yet finished," she
murmured. "Has he forgotten his promise? For some time past he has been
quite strange; he seems preoccupied, distraught, anxious even--at times
his mind seems to be far away." And a thousand ideas flitted through
her mind, only to be dismissed as all equally absurd.
Suddenly she uttered a little cry of surprise, to find the vigorous arms
of her husband clasped around her waist.
"What is my little wife thinking of so deeply that she does not notice
the sound of her husband's footsteps?" said Philip.
"Of you," said Dora, laughing, "and of these flowers."
"They have come again, eh?" said Philip, taking up his palette and
brushes.
"Yes; who sends them?"
"That is what I should like to know. As I told you before, an old
admirer of yours, I daresay."
"Nonsense, you know better. As I said before, some old sweetheart of
yours--far more likely," replied Dora.
Then looking her husband straight in the eyes, she added--
"Confess."
"Look here," said Philip, "I have come to work; if you tease me in this
way, I shall never do anything."
He tried his brushes and began mixing his colours.
Dora took the little bunch of pansies which she had arranged, and placed
them near the portrait.
"The colours harmonise exquisitely with the yellow of the dress. How
sweet they are, these pansies! Look, do look, at this dear little yellow
one--what a saucy face! Put it in the picture. By-the-bye, there is a
letter for you."
She went to the table, where Hobbs had laid the letter, took it up and
read the envelope aloud, "Philip Grantham, Esq., A.R.A. Associate of the
Royal Academy! There are lots of people who live in hopes of adding
letters to their name, but you, my Philip, will soon drop one: instead
of A.R.A., just Royal Academician, R.A."
"Who knows?" said Philip. "Perhaps--thanks to your encouragement and
loving praise. There! open the letter for me, will you?"
"It is Sir Benjamin Pond, who announces that he is coming to see you
to-day: he wants to choose one or two pictures."
"I hope he will come late, then," said Philip. "I want to finish your
portrait before dinner. It ought to be easy enough--two or three hours
of steady work, and the thing is done."
Dora smiled a little smile of incredulity.
"Seven or eight," said she, "at least."
Philip had stuck the bunch of pansies on the easel, his palette was
ready, he was just going to begin.
"Come here," said he to Dora, "here, quite close--that's it. I can work
so much better, darling, when you are near me. Look, the brush works
already more easily, my hand is surer--there, that is good--splendid--I
shall go ahead now."
Philip was in working mood, and Dora was beaming. She could have hugged
him, and would not have been able to resist the temptation, but for the
fear of hindering his progress. After a few minutes' silence, she burst
out--
"Philip!"
"Yes, dearest," replied Philip, without withdrawing his eyes from his
work.
Public-domain text, read in full here on John Shaqi.
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