Bohemianism -- Fiction; London (England) -- Social life and customs -- 19th century -- Fiction; Married people -- England -- Fiction
"Don't you think ours is a very romantic life?"
"Very romantic? How do you mean?"
"Oh, I mean that we are so happy."
"Yes, but that is hardly what people call romance. A romantic life is an
eventful life, and happy people have no events in their lives. I don't
believe that cousin Gerald Lorimer, with all his imagination, could get
a one-act play out of our lives. There is no plot to be found in them.
To make a novel or a play, there must be intrigue, troubles,
misunderstandings, moral storms. There are people who love storms. Some
people only love the sea when it is in a fury. Are you fond of storms
yourself?"
"Oh no," replied Dora; "I have no sea-legs. I love the life that I lead
with you--and my enthusiasm for your art deepens my love for you every
day."
"My darling," said Philip, drawing Dora still nearer to him, and
caressing the graceful head that was resting against his knee, "do you
know that one of these days I shall be jealous of you, you are making
such progress with your painting."
"What nonsense! I am learning, so that I may understand you better. To
appreciate you thoroughly, my ambition soars no higher than that."
Philip looked at his watch, turned towards the door that led to the
street, and made a little gesture of impatience, that did not escape
Dora.
"Philip," said she, "what are you thinking of?"
"Why, of you, dear, always you."
"No, you were not thinking about me just now. You cannot deceive me,"
said she coaxingly. "Do you know that, of late, I have observed a
little change in you--oh! just a little change."
"A change? What a little goose you are!"
"Oh, I am not so silly as all that; the fact is you seem absent-minded
lately, anxious, irritable even; and, worse than all that, this morning
you had forgotten it was the anniversary of our wedding. Now, had you
not?"
Philip started.
"Oh, but I am quite sure of what I am saying. I am certain you had
forgotten."
"What nonsense! it is all in your imagination, my dear child."
"No, it is not," said Dora, with great emphasis; "a woman's intuition is
often a safer guide than her eyes."
"Your intuition, then, for once is wrong."
"Come, come," said Dora tenderly, "tell me, have you any troubles, any
little worry?"
"No, dear, none," said Philip, frowning a little. "Let me get on with my
work, and don't ask silly questions."
"Oh, very well," said Dora, pouting.
She rose, and went away from the easel a few steps; but noticing that
Philip was looking at her, as if to ask her forgiveness for having been
a trifle abrupt, she turned her steps towards him, and, laying her head
on his shoulder, burst into tears; then looking him in the face, with
eyes that were smiling through the tears, she cried, "Oh, do tell me
what ails you."
"What a child you are, dearest! I assure you, there is nothing the
matter."
"I know better."
Public-domain text, read in full here on John Shaqi.
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