French fiction -- Translations into English; Short stories, French -- Translations into English
“You have been to the Didascalion?”
“I am still there in the sixth class. I shall finish there next year;
it will not be any too soon.”
“What don’t you like then?”
“Ah! if you only knew how hard to please the mistresses are. They
make you begin the same lesson twenty-five times, and it is all about
useless things which the men never desire. Then one tires oneself for
nothing, and I do not like that. Come, have a fig; not that one, it is
not ripe. I will show you a new way to eat them--look.”
“I know it. It takes longer, but it is not a better way. I believe you
are a good pupil.”
“Oh! what I know I have learned by myself. The mistresses try to make
out they are stronger than we are. They are more experienced, but they
have not invented anything.”
“Have you many lovers?”
“They are all too old; it is inevitable. The young are so foolish! They
only care for women of forty. I sometimes see one pass as good-looking
as Eros, and you ought to see the woman he picks out--a hateful
hippopotamus! It makes one turn pale. I hope I shall not live to be the
age of those women; I should be ashamed to undress. That is why I am so
glad that I am young. But let me kiss you. I like you very much.”
Here the conversation took a turn, and Demetrios soon saw that his
scruples were unnecessary in the case of such a well-informed young
woman.
“What is your name?” he asked her presently.
“Melitta. Did you not see the name over the door?”
“I did not look at it.”
“You could see it in the room. It has been written on the walls. I
shall soon have to have them repainted.”
Demetrios raised his head. The four walls of the room were covered with
inscriptions.
“Well, that is very curious,” he said. “May I read them?”
“Yes, if you like. I have no secrets.”
He read them. The name of Melitta was there several times, coupled with
various men’s names and strange designs. There were tender and comic
phrases. Lovers detailed the charms of the little courtesan, or made
jokes upon her. All that was not very interesting; but when he was
near the end of his reading he gave a start of surprise.
“What is this? What is it? Tell me.”
“What? Where? What is the matter?”
“Here. This name. Who wrote that?” His finger was pointing to the name
of Chrysis.
“Ah,” she replied, “I wrote that.”
“But who is Chrysis?”
“She is my great friend.”
“I don’t doubt that. That is not what I am asking you. Which Chrysis is
it? There are so many.”
“Mine is the most beautiful Chrysis of Galilee.”
“You know her, then! Tell me about her! Where was her home? Where does
she live? Who is her lover? Tell me all about her.”
He sat down upon the bed and took the girl upon his knees.
“Are you in love with her?” she said.
“What does it matter? Tell me what you know about her; I am anxious to
hear.”
Public-domain text, read in full here on John Shaqi.
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