Woman in Sacred History: A Series of Sketches Drawn from Scriptural, Historical, and Legendary Sources — John Shaqi
Woman in Sacred History: A Series of Sketches Drawn from Scriptural, Historical, and Legendary SourcesStowe, Harriet Beecher
Religion
Woman in Sacred History: A Series of Sketches Drawn from Scriptural, Historical, and Legendary Sources
Stowe, Harriet Beecher
Bible -- Biography; Women in the Bible -- Biography
In the story of Isaac, we have the bridegroom who is simply the
submissive recipient of a wife at his father's hands; in that of
Jacob, we have the story of love at first sight. The wanderer,
exiled from home, gives up his heart at once to the keeping of his
beautiful shepherdess cousin, and so, when the terms of service
are fixed with the uncle, the narrative says: "And Laban had two
daughters; the name of the elder was Leah, and the name of the
younger was Rachel. Leah was tender-eyed; but Rachel was beautiful
and well-favored. And Jacob loved Rachel, and said, I will serve
thee seven years for Rachel, thy younger daughter. And Jacob served
seven years for Rachel, and they seemed unto him but a few days, for
the love he had to her."
But when the wedding comes, in the darkness and secrecy of the night
a false bride is imposed on the lover. And Jacob awoke, and behold
it was Leah. Not the last man was he who has awakened, after the
bridal, to find his wife was not the woman he had taken her to be.
But the beloved one is given as a second choice, and seven years
more of service are imposed as her price.
The characteristics of these two sisters, Leah and Rachel, are less
vividly given than those of any of the patriarchal women. Sarah,
Hagar, and Rebekah are all sharply defined characters, in and of
themselves; but of Leah and Rachel almost all that can be said is
that they were Jacob's wives, and mothers of the twelve tribes of
Israel.
The character of their father Laban was narrow, shrewd, and hard,
devoid of any generous or interesting trait, and the daughters
appear to have grown up under a narrowing and repressing influence.
What we learn of them in the story shows the envies, the jealousies,
the bickerings and heart-burnings of poorly developed natures. Leah,
the less beloved one, exults over her handsomer and more favored
sister because she has been made a fruitful mother, while to Rachel
the gift of children is denied. Rachel murmurs and pines, and
says to her husband, "Give me children, or I die." The desire for
offspring in those days seemed to be an agony. To be childless, was
disgrace and misery unspeakable. At last, however, Rachel becomes a
mother and gives birth to Joseph, the best-beloved of his father.
The narrative somehow suggests that charm of personal beauty and
manner which makes Rachel the beloved one, and her child dearer than
all the rest. How many such women there are, pretty and charming,
and holding men's hearts like a fortress, of whom a biographer could
say nothing only that they were much beloved!
Public-domain text, read in full here on John Shaqi.
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