The poetry of the Æolians was largely inspired by love, or a religion
of beauty. But the Doric genius was not a lyrical one, and the
passionate personal note which made the charm of Sappho and her
contemporaries was lost in stirring martial strains. Women ceased to
write or to be known at all in literature until a later time, when they
dipped into philosophy a little, especially in the Dorian colonies,
where they were educated and held in great consideration. Pythagoras
had many feminine followers, and his school at Crotona was continued
after his death by his wife Theano and a daughter who had assisted him.
But most of them live, if at all, only as names, or in the reflected
light of famous men whose disciples they were.
IV
At no other time in the history of the world has the poetry of women
reached the height or the honor it attained in this first flowering of
their intellect and imagination. One may doubtless take with a shade of
reservation the “female Homers,” like Anyta, of whom we have only a few
epigrams, but there is a dim and rather vague tradition of seventy-six
women poets in a scattered and by no means large population. In the
revival of poetry during the Renaissance, there were about sixty,
and none of them had the same quality of perfection which we find
in Sappho. No one claims that we have equaled her to-day on her own
ground, however superior our achievements may be in other directions.
That the Æolian women did so much with so little, and in spite of their
limited advantages, is the best proof of their inborn gifts. Mediocre
talents do not thrive in so adverse a soil, though this outburst of
mental vigor belongs to a time when women had a degree of freedom and
honor which for some reason they lost in the golden age of Athens.
But the books they wrote were not printed, the manuscript copies were
limited, most of them were lost with other classic works, and the few
that escaped the pitiless fingers of time were destroyed by fanatics
and iconoclasts. Yet one woman shines across twenty-five centuries as a
star of the first magnitude, and we have fading glimpses of others who
received honors due only to genius, or to talent of the first order.
They were not judged apart as women, for they have come down to us as
peers of great men. The divine gift of genius was rare then, as now
and always, but even in women it did not lack recognition. To prove
the gift and exact the homage, perhaps in any age, we have simply to
show the fruit, except in a decadence, when the finest fruit loses its
savor for corrupted tastes. If the number who wrote for immortality was
small, it must be remembered that probably there were not enough people
in all Greece to make a good-sized modern city.
Public-domain text, read in full here on John Shaqi.
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