That kings and princes did not disdain to become Troubadours is proved
by the example of Richard of England and the Dauphin of Auvergne. But it
is more unexpected to find a queen among their ranks, and that no less a
queen than Eleanor, wife of Henry II. of England. Her grandfather,
William of Poitou, was one of the earliest patrons of the art, and she
inherited his tastes. Her career, like his, is one of boldness and
adventure. When wife of Louis VII., before her marriage with Henry, she
set an example to chivalry by going to the Crusades with that French
king, and not in the capacity of wife, but rather as an Amazon warrior.
She gathered around her a troupe of kindred spirits, and, equipped in
the most graceful array that armourers and milliners could devise,
started off at the head of her husband's knights. Her campaign was
conducted on principles of pleasure rather than of strategy. In Asia
Minor, where she led the van during the march, she chose her route
according to the beauty of the landscape rather than safety of position,
and more than once brought the army into grave danger. She varied the
monotony of the advance by several romantic love episodes, notably with
a young emir in the train of the Sultan Noureddin. She conducted her
career in much the same style as the light opera heroine of to-day, who
pauses in the midst of the action to sing a song, pursue an amour, or
bask in the favour of all beholders.
[Illustration: ELEANOR OF AQUITAINE]
Chief among her admirers was Bernard de Ventadour, whose verse has
received high praise from the poet Petrarch. Of humble birth, he won the
interest of the viscount of the castle, who gave him a good education.
In those days this training consisted in knowing how to be courteous and
well behaved, and how to compose a song and sing it. Bernard, after
exercising his growing powers on the beauties of spring, the fragrance
of flowers, and the music of the nightingale, turned his attentions to
the charms of the young viscountess, which he sung with such success
that one day the object of his praises, in a fit of rapture, bestowed a
kiss upon him. Enraptured by this, he sang his eulogies with still more
boldness, until he roused the jealousy of the lord of the castle, who
locked up his young spouse, and drove the Troubadour from the district.
He took refuge at the court of Eleanor, for whom he conceived a second
and more passionate adoration, and whom he followed to England. But
Henry was either more indulgent or more indifferent, and no further
quarrels came.
Public-domain text, read in full here on John Shaqi.
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