Married people -- Fiction; Suburban life -- Fiction; Women -- Fiction
She went away from the telephone, then came back to it, and again sat
before the little table that bore it; but she did not at once put its
miraculous powers into operation. Instead, she sat staring at it, afraid
to employ it, while her imaginings became more piteous and more
horrifying. Amelia had no talk except “Mr. Battle says”; she had no
thought except “Mr. Battle thinks”; she had no life at all except as
part of her husband’s life; and if that were taken away from her, what
was left? She had made no existence whatever of her own and for herself,
and if brought to believe that she had lost him, she was annihilated.
If the great Battle merely died, Amelia could live on, as widows of the
illustrious sometimes do, to be his monument continually reinscribed
with mourning tributes; but if a Venetian beauty carried him off in a
gondola, Amelia would be so extinct that the act of self-destruction
might well be thought gratuitous;—and yet Mrs. Cromwell’s imagination
pictured Amelia in the grisly details of its commission by all the usual
processes. She saw Amelia drown herself variously; saw her with a razor,
with a pistol, with a rope, with poison, with a hat-pin.
Naturally, it became impossible to endure such pictures, and Mrs.
Cromwell tremulously picked up the telephone, paused before releasing
the curved nickel prong, but did release it, and when a woman’s voice
addressed her, “What number, please?” she returned the breathless
inquiry: “Is that you, Amelia?” Then she apologized, pronounced a
number, and was presently greeted by the response: “Mr. Roderick
Battle’s residence. Who is it, please?”
“Mrs. Cromwell. May I speak to Mrs. Battle?”
“I think so, ma’am.”
In the interval of silence Mrs. Cromwell muttered, “I _think_ so” to
herself. The maid wasn’t certain;—that was bad; for it might indicate a
state of prostration.
“Yes?” said the little voice in the telephone. “Is it Mrs. Cromwell?”
Mrs. Cromwell with a great effort assumed her most smiling and
reassuring expression. “Amelia? Is it you, Amelia?”
“Yes.”
“I just wanted to tell you again what a lovely impression your essay
made on me, dear. I’ve been thinking of it ever since, and I felt you
might like to know it.”
“Thank you, Mrs. Cromwell.”
“Lydia Dodge and I kept on talking about it after you left us this
afternoon,” Mrs. Cromwell continued, beaming fondly upon the air above
the telephone. “We both said we thought it was the best paper ever read
at the club. I—I just wondered if—if Lydia called you up to tell you
so, too. Did she?”
“No. No, she didn’t call me up.”
“Oh, didn’t she? I just thought she might have because she was so
enthusiastic.”
“No. She didn’t.”
Public-domain text, read in full here on John Shaqi.
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