Married people -- Fiction; Suburban life -- Fiction; Women -- Fiction
Mrs. Cromwell listened intently, seeking to detect emotion that might
indicate Amelia’s state of mind, but Amelia’s voice revealed nothing
whatever. It was one of those voices obscured and dwindled by the
telephone into dry little metallic sounds; language was communicated,
but nothing more, and a telegram from her would have conveyed as much
personal revelation. “No, Mrs. Dodge didn’t call me up,” she said again.
Mrs. Cromwell offered some manifestations of mirth, though she intended
them to express a tender cordiality rather than amusement; and the
facial sweetness with which she was favouring the air before her became
less strained; a strong sense of relief was easing her. “Well, I just
thought Lydia _might_, you know,” she said, continuing to ripple her
gentle laughter into the mouthpiece. “She was so enthusiastic, I just
thought——”
“No, she didn’t call me up,” the small voice in the telephone
interrupted.
“Well, I’m gl——” But Mrs. Cromwell checked herself sharply, having
begun too impulsively. “I hope I’m not keeping you from anything you
were doing,” she said hastily, to change the subject.
“No, I’m all alone. Mr. Battle is spending the evening with Mrs.
Sylvester.”
“What!” Mrs. Cromwell exclaimed, and her almost convivial expression
disappeared instantly; her face became a sculpture of features only. “He
is?”
“Yes. He’s finishing the interior of her new house. With important
clients like that he always interprets them into their houses you know.
He makes a study of their personalities.”
“I—see!” Mrs. Cromwell said. Then, recovering herself, she was able to
nod pleasantly and beam again, though now her beaming was rigidly
automatic. “Well, I mustn’t keep you. I just wanted to tell you again
how immensely we all admired your beautiful essay, and I thought
possibly Lydia might have called you up to say so, too, because she
fairly raved over it when we were——”
“No.” The metallic small voice said; and it informed her for the fourth
time: “She didn’t call me up.” Then it added: “She came here.”
“No!” Mrs. Cromwell cried.
“Yes. She came here,” the voice in the instrument repeated.
“She _did_?”
“Yes. Just before dinner. She came to see me.”
“Oh, my!” Mrs. Cromwell murmured. “What did she say?”
“She was in great trouble about Mr. Dodge.”
“What?”
“She was in a tragic state,” the impersonal voice replied with perfect
distinctness. “She was in a tragic state about her husband.”
“About John _Dodge_?” Mrs. Cromwell cried.
“Yes. She was hurried and didn’t have time to tell me any details,
because they had a dinner engagement in town, and he kept telephoning
her they’d be disgraced if she didn’t come home and dress; but that’s
what she came to see me about. It seems he’s been misbehaving himself
over some fascinating and unscrupulous woman, and Mrs. Dodge thinks he
probably intends to ask for a divorce and abandon her. She was in a most
upset state over it, of course.”
“_Amelia!_” Mrs. Cromwell shouted the name at the mouthpiece.
Public-domain text, read in full here on John Shaqi.
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