Women wanted: The story written in blood red letters on the horizon of the Great World War — John Shaqi
Women wanted: The story written in blood red letters on the horizon of the Great World WarDaggett, Mabel Potter
History
Women wanted: The story written in blood red letters on the horizon of the Great World War
Daggett, Mabel Potter
Women -- Employment; World War, 1914-1918 -- Women
A small green light within the hooded entrance, picks the Ritz Hotel
out of the Piccadilly blackness. Inside, after the gloom through which
we have come, I gasp with relief. It is as if one discovers suddenly
in a place that has seemed a graveyard, Why, people still live here!
Right then at the hotel register, the voice of Scotland Yard speaks for
the War Office. And before the Ritz can be permitted to give me refuge
from the night, I must answer. The “registration blank” presented for
me to fill in, demands certain definite information: “(1) Surname. (2)
Christian names. (3) Nationality. (4) Birthplace. (5) Year of birth.
(6) Sex. (7) Full residential address: Full business address. (8)
Trade or occupation. (9) Served in what army, navy or police force.
(10) Full address where arrived from. (11) Date of signing. (12)
Signature.” And a little below, “(13) Full address of destination. (14)
Date of departure. (15) Signature.” A last line in conspicuous italics
admonishes: “Penalty for failing to give this information correctly 100
pounds or six months imprisonment.” Well, of course a threat like that
will make even a woman tell her age as many times as she is asked. But
I do it rebelliously against the Kaiser and all his Prussians. For the
“registration blank” was made in Germany. I remember it before the war,
at the Hotel Adlon in Berlin.
I must sign now on the dotted line before I can even go to bed. I
arrange my clothing carefully on a chair within reach of my hand. You
rest that way in a warring city, always ready to run. The Zeppelins
may come so swiftly. In London you know your nearest cellar. In France
you have selected your high vaulted entrance arch under which to take
refuge when the sirens go screaming down the street, “_Gardez vous,
Gardez vous._”
The sense of depression that had enwrapped me in the first darkness of
London was not gone when I closed my eyes in sleep. One does not throw
it off. You may not be of those who are wearing crêpe. But you cannot
escape the woe of the world which will enfold you like a garment.
Public-domain text, read in full here on John Shaqi.
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