Women wanted: The story written in blood red letters on the horizon of the Great World War — John Shaqi
Women wanted: The story written in blood red letters on the horizon of the Great World WarDaggett, Mabel Potter
History
Women wanted: The story written in blood red letters on the horizon of the Great World War
Daggett, Mabel Potter
Women -- Employment; World War, 1914-1918 -- Women
The soldier at the other end of the room opens a little wooden door in
a wooden wall that lets me into England. My baggage is already being
chalk marked “passed.” I am here! I clutch my passport happily and
convulsively in my hand. You have to do that until you can restore it
to the safer place. It’s the most important item in what the French
call your “_pieces de identité_.” At any moment a policeman in the
Strand, a gendarme in the Avenue de l’Opéra may tap an alien on the
shoulder with the pertinent inquiry, Who are you?
THE WAY OF JOURNALISM IN WAR TIME NOT EASY
London, when we reached it that night in October, lay under the
black pall of darkness in which the cities over here have enveloped
themselves against war. Death rides above in the sky. To-night,
every to-night, it may be the Zeppelins will come. Over there on the
horizon, a searchlight streams suddenly and another and another, their
great fingers feeling through the black clouds for the monsters of
destruction that may be winging a way above the chimney pots. Every
building is tightly shuttered. The street lamps with their globes
painted three-quarters black have their pale lights as it were hid
beneath an inverted bushel. Pedestrians must develop a protective sense
that enables them to find their way at night as a cat does in the dark.
“I’m sorry,” says an apologetic English voice, and before you know it,
you have bumped against another passerby. There is another sudden jolt.
And you are scrambling for your balance the other side of the curb you
couldn’t see was there. If you are familiar with the door knob where
you’re going to stop, you will be so much the surer where you’re at.
Looking out on this darkest London from Paddington railway station at
midnight I sit on my trunk and wait. Do you remember the popular song,
There’s a Little Street in Heaven Called Broadway? Oh, I hope there is.
I sit on my trunk and wait. In my handbag is the card of the Englishman
politely ready to look after me in London. It is the American man who
is out there in the night endeavouring to commandeer a taxicab. Somehow
he has done it. At last the cab comes. He has compelled the chauffeur
to take us. I shall not have to sit all night on my trunk.
Public-domain text, read in full here on John Shaqi.
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