Women wanted: The story written in blood red letters on the horizon of the Great World WarDaggett, Mabel Potter
History
Women wanted: The story written in blood red letters on the horizon of the Great World War
Daggett, Mabel Potter
Women -- Employment; World War, 1914-1918 -- Women
In the upper left hand corner is attached my photograph. The Department
of State at Washington requires it for all travellers now before they
affix the great red seal that gives authenticity to the personal
information recorded in this paper. From the passport photograph to my
face, the officer glances sharply, suspiciously, like a bank teller
looking for a forgery. I feel him looking straight through me to the
very curl at the back of my neck. Ah, apparently it is I!
“Now what have you come over here for?” he inquires in a tone of voice
that seems to say, “Nobody asked you to England. We’re quite too busy
about other things to entertain strangers.”
I hand him my official journalistic letter addressed “To Whom it may
Concern.” Signed by the editor of the _Pictorial Review_, it states
that I am delegated to study the new position of women due to the war.
Will he want me to? He may be as sensitive as the British consul in New
York about the woman movement. He may prefer that it should not move at
all.
I hold my breath while he reads the letter. Then I have to talk. I
tell him, I think, the complete story of my life. I show him all of
my credentials. I give him my photograph. You always have to do that.
Photographs that are duplicates of the one on your passport, you must
carry by the dozen. You have to leave them like visiting cards with
gentlemen in khaki all over Europe.
Well, what is he going to do about me? I get out my letters of social
introduction. There are 84! I strew them on the table for him to read.
There is a door just behind his head. Will it be in there, the search
and the confiscation and the lemon acid bath? I wonder, and I wonder.
But I try to stand very still. If I move one foot, it might jar the
decision that is forming in the officer’s mind. I am watching alertly
for his expression. But there isn’t any. I can’t tell at all whether
he likes me. An Englishman is always like that, completely shut up
behind his face. It may be at this very moment he has made up his mind
that I am a spy. He has read only four letters——
And he looks up suddenly, in his hand the letter from Mrs. Belmont in
New York introducing me to the Duchess of Marlborough. He nods down the
line to all the other military eyes fixed on me: “She’s all right. Let
her go.”
I sign on the dotted line. And everything is over! In a flashing moment
like that, it is accomplished. And a letter to “Our Duchess” has done
it. At the magic of the name of the American woman who was Consuelo
Vanderbilt, this steel like line of British officers quietly sheathes
all opposition!
Public-domain text, read in full here on John Shaqi.
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