He crossed the dusty road and was proceeding towards his own house,
which was hardly more than a hundred yards away, when he saw through
a wide gap in the hedge a pleasant and familiar sight. It was a
hay-field, in the final stage of its “making,” surrendering to a great
loose stack, built up beneath enormous elm-trees, the last windrows of
its sweet-scented harvest.
Pausing for a moment to observe more closely this pleasant scene--for
hay-making in Dorsal Field amounted to a village ritual--Mr. Taxater
became aware that among the figures scattered in groups about the
meadow were the very two whose relation to one another he had just been
discussing. Vennie and the young clergyman were engaged in an animated
conversation with three of the farm-boys.
Mr. Taxater at once climbed through the gap, and crossing the field
approached the group unobserved. It was not till he was quite close
that Vennie caught sight of him. Her pale, pinched little face, under
its large hat, flushed slightly as she held out her hand; but her great
steady grey eyes were full of friendly welcome.
Mr. Clavering too was effusive and demonstrative in his greeting.
They chatted a little of indifferent matters, and the theologian was
introduced to the shy farm-boys, who stared at him in rustic wonder.
Then Hugh Clavering said, “If you’ll pardon me for a moment, I think
I ought to go across and speak to John Goring,” and he indicated the
farmer’s figure bending over a new gleaning-machine, at the opposite
end of the field. “Don’t go away, please, Mr. Taxater, till I come
back. You will keep him, won’t you, Miss Seldom?”
He strode off; and the boys drifted away after him, leaving Mr. Taxater
and the girl together, under the unfinished hay-stack. “I was so much
wanting to speak to you,” began Vennie at once. “I very nearly ran in
to the Gables; but I saw Mrs. Wotnot over the wall, and she told me you
were out. I am in serious need of advice upon a thing that is troubling
me, and you are the only person who can really help.”
Public-domain text, read in full here on John Shaqi.
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