Woodburn Grange: A story of English country life; vol. 2 of 3 — John Shaqi
Woodburn Grange: A story of English country life; vol. 2 of 3Howitt, William
General
Woodburn Grange: A story of English country life; vol. 2 of 3
Howitt, William
Religious fiction
The next day was Sunday, and whatever might be the social licence
with which the young Barringtons overleaped the pale of the Society
on the week-days, they all duly attended the morning meetings in
town. The large family carriage regularly rolled up to the Meeting
House gates in Houndsditch, and they descended to an hour and a
half’s quiet musing of some sort in that still and shady tabernacle.
Ah! that stillness! How little it suited the beating heart and
tortured bosom of Millicent Heritage. Charles Lamb says, that he
once got into a Quaker’s meeting, and never went through such a
process of spiritual inquisition before. He found himself asking
himself more questions in one short hour, than he could have answered
in a year. What, then, must have been the condition of Millicent
Heritage? Loving, sensitive, educated in a straight line of honour,
purity, and truth—and guilty? Who shall depict the tortures of that
age-long hour and a half? She went back to her past life; to its
peace, its innocence, her deep enjoyment of existence and of nature;
and then she turned a scared eye on the purple cloud and rapturous
whirlwind in which she had lately been floating far above the
darkened scenes and landscapes of the past. What would her father
and mother say—if she proved faithless to her most solemn vows and
most sacred engagements? Could she really give up Dr. Leroy for
another—honourable, gifted, learned, and amiable as he was? Ay,—but
that was no longer the question; did she, could she still love him?
The answer from that strange thing, the heart, made a thrill of
sickening cold pass through her. There was a spirit in it that mocked
her; a chill that she could not cast out, a fire in another quarter
of it, that she could not command. A sense of despair seized her that
was more terrible than death, she prayed to die, and had she been
alone, could have flung herself on the floor and cried aloud for
death.
At this moment arose an aged woman in the gallery opposite to her.
She was clad in the simplest garb of grey, and over it a light cloak
of grey. She laid down her bonnet of the most rigorously antiquated
make and material, and displayed a coarse muslin cap over her grey
hair, as destitute of grace or ornament as any human hand could
fashion. Millicent knew her well. She was from Ireland, and bore the
unambitious name of Grubb.
Public-domain text, read in full here on John Shaqi.
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