Bildungsromans; Feminist fiction; Women -- Employment -- Fiction; Young women -- Fiction
Having obeyed orders, Lucy initiated her into the mysteries of the
place, and then put her in a corner to look over the scenes in which
she was to appear. Christie soon caught the idea of her part,—not a
difficult matter, as there were but few ideas in the whole piece, after
which she sat watching the arrival of the troop she was to lead. A most
forlorn band of warriors they seemed, huddled together, and looking as
if afraid to speak, lest they should infringe some rule; or to move,
lest they be swallowed up by some unsuspected trap-door.
Presently the ballet-master appeared, the orchestra struck up, and
Christie found herself marching and counter-marching at word of
command. At first, a most uncomfortable sense of the absurdity of her
position oppressed and confused her; then the ludicrous contrast
between the solemn anxiety of the troop and the fantastic evolutions
they were performing amused her till the novelty wore off; the martial
music excited her; the desire to please sharpened her wits; and natural
grace made it easy for her to catch and copy the steps and poses given
her to imitate. Soon she forgot herself, entered into the spirit of the
thing, and exerted every sense to please, so successfully that Mr.
Tripp praised her quickness at comprehension, Lucy applauded heartily
from a fairy car, and Mr. Sharp popped his head out of a palace window
to watch the Amazon’s descent from the Mountains of the Moon.
When the regular company arrived, the troop was dismissed till the
progress of the play demanded their reappearance. Much interested in
the piece, Christie stood aside under a palm-tree, the foliage of which
was strongly suggestive of a dilapidated green umbrella, enjoying the
novel sights and sounds about her.
Yellow-faced gentlemen and sleepy-eyed ladies roamed languidly about
with much incoherent jabbering of parts, and frequent explosions of
laughter. Princes, with varnished boots and suppressed cigars, fought,
bled, and died, without a change of countenance. Damsels of
unparalleled beauty, according to the text, gaped in the faces of
adoring lovers, and crocheted serenely on the brink of annihilation.
Fairies, in rubber-boots and woollen head-gear, disported themselves on
flowery barks of canvas, or were suspended aloft with hooks in their
backs like young Hindoo devotees. Demons, guiltless of hoof or horn,
clutched their victims with the inevitable “Ha! ha!” and vanished
darkly, eating pea-nuts. The ubiquitous Mr. Sharp seemed to pervade the
whole theatre; for his voice came shrilly from above or spectrally from
below, and his active little figure darted to and fro like a critical
will-o-the-wisp.
Public-domain text, read in full here on John Shaqi.
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